Floral Art takes to the air; Burnt Offerings, Re-Invention, Taking Flight….

Neels Scott floral installation at Pikicha Gallery, Emagumeni, 2023

Our group exhibition at Pikicha Gallery in Harare, titled “Burnt Offerings, Re-Invention, Taking Flight”, inspired top Zimbabwean floral designer Neels Scott to create an installation, a magnificent piece of floral art, for the exhibition.

Seen here, it is installed in the Pikicha Gallery foyer together with my painting “Abstract Fire Frass diptych, 1 and 2“, acrylic on canvas, 145 x 120 cm and 145 x 39 cm….

 My poem for Abstract Fire Frass diptych, 1 and 2“:

After a burn..

what’s left?

After flames

and pain..

what’s left?

After destruction

drug abuse

death or divorce

what’s left?

After life

sacrifice

living for others

lying to yourself

what’s left?

Nothing is left 

but you, in the present,

but you, in the presence

but you, in the knowing

but you in the belief…

so pick yourself up post apocalypse.

Feel the gentle whisper, 

see the soft fragments

as fire frass floats unfettered

to land on your skin.

Embrace yourself,

trace the sooty smudges.

It no longer burns.

Lin Barrie

And here it is with my draped canvas installation, “Bright Sky, Burnt Offering; Zimbabwe Bird“, acrylic/charcoal on stretched and draped canvas, 70 x 70 cm, plus draped canvas to 165 x 85 cm

My poem for “Bright Sky, Burnt Offering; Zimbabwe Bird“:

From fire to phoenix;

Zimbabwe bird

burnt offering

battered body

You reinvent yourself;

Beating worn wings 

into bright sky

above the burn.

Skirted by 

a tongued tail,

you trail flames

deftly, defiantly.

A Phoenix rising…

Lin Barrie

Below is a close up of dozens of pasted leaves, a leaf collage, which creates the feathers of a bird’s wing, or the scales of dragon wing… flora morphing into fauna, re-inventing itself from the flames and taking flight…

the graphic flow of the multi feathered/scaled wings is entrancing….delicately overlaid and connected by wire-threaded beads (which echo the snarewire threaded snail shells of my own installations in the exhibition!)

This lyrical floral statement by Neels is so deserving of a poem:

In my poem I have tried to encompass the concept of regeneration that Neels captures in his creation, the regeneration of plant life and animal life after a landscape burns, the reinvention of a human life after a life challenge, the inventiveness of man in the face of adversity!

Admirers at the exhibition…

Here are more views of Neel’s floral creation…

A sculpture in its own right, seen here with Nonoe, manager at Pikicha Gallery

Created from palm spathes and preserved leaves, sisal base, wire and beads…….

About wineandwilddogs

Lin Barrie The Save Valley Conservancy stretches along the upper reaches of the great Save River in the south east of Zimbabwe. The Gonarezhou National Park laps against the southern banks of the Save River and between these two nestles the Malilangwe Wildlife Reserve. These three celebrated wildlife areas form part of the Greater Limpopo Transfrontier Conservation Area, (GLTFCA)- a unique wilderness jewel which is home to the “Big Five” (endangered Black and White rhinos, elephants, buffalo, lion, leopard) and the ”Little Six” (Klipspringer, Suni, Duiker, Steenbok, Sharpe's Grysbok and Oribi). Endangered African wild dogs, Cheetah, Brown hyena, Bat-eared foxes and a host of special birds and plants contribute to the immense variety of this ecosystem. Communities around the GLTFCA contribute to innovative partnerships with National Parks and the private sector, forming a sound base on which to manage social, economic and environmental issues. This is home to artist and writer Lin Barrie and her life partner, conservationist Clive Stockil. Expressing her hopes, fears and love for this special ecosystem with oil paints on canvas, Lin Barrie believes that the essence of a landscape, person or animal, can only truly be captured by direct observation. Lin Barrie states: “Through my art, and my writing, I feel an intimate connection with the natural world, and from my extensive field sketches of wild animals, people and landscapes, I create larger works on canvas. Lin's work is in various public and private collections in South Africa, Kenya, Zimbabwe, Australia, England, Canada, Sweden and the United States of America. She is represented by galleries in South Africa, Zimbabwe, England, Kenya and Florida, USA.
This entry was posted in abstract art, Abstract female exoressionist art, abstract female expressionist, aeroplane, Aeroplane art, Africa, africa, African flora, african trees, aircraft, art, art collaboration, art exhibition, Art exhibition zimbabwe, art gallery, Assemblage art, beads, birdart, birds, dragons, draped canvas, drawing, environment, fire, Fire regimes, flight, Flora of Zimbabwe, Floral art, floral artist, flowers, gardens and flowers, giant African snail, Harare, interior decor, Lin Barrie Art, Lin Barrie publication, paintings, palms, phoenix, photography, poetry, recycled art, sculpture, storytelling, trees, virtual art exhibition, wall art, wire, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwean Art, Zimbabwean Artist, zimbabweanart and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

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