Road trips filled with ART, flowers, friends, farming and even more art; travelling Chilo, Chimanimani, Chitungwiza and so many places in-between, as we reminisce on the last six months of 2025.

After FNB artfair, Jozi, including meeting singular artists such as the one and only Nelson Makamo (more on that in retrospect, in my next blog…!), the last six months of 2025 go by in a flash…

There is a lot of reading here, more photographs really, for those who wish to follow our ART, flowers, friends and farming activities these last six months!

I head to Chitingwiza (Chi-Town) and collect the Black rhino made of wire and found objects that Johnson Zuze has masterfully created for our Burnt Offerings Collective “Summer Studio Walkabout.. “

Chitungwiza (Chi-Town) to Harare (H-Town) – the travels of a wire rhino….here carried by Johnson and his son Armani

Kelli’s vibrant yellow florals add to the intensity of our “offerings” for the studio walkabout..

Burnt Offerings Studio Walkabout…

Our Harare home and studio are filled with lovely friends and supporters …

Kelli hosting guests

Studio 214, Summer Walkabout, Johnson Zuze Bottle Bird sold to a happy buyer..

Studio 214, Summer Walkabout, Johnson Zuze Bottle Bird sold

At Studio 214, Kelli, Johnny and Lin, the Burnt Offerings team…

at Studio 214, Kelli, Johnny and Lin

Johnson at work on his life size sheep in the studio garden, helped by an aspiring young wire artist…

Studio 214, Summer Walkabout, Johnson Zuze, wire Sheep and an eager apprentice

Friend and art collector, Ropa, vibrant as always, in the garden with a glass of hibiscus iced tea..

Studio 214 summer walkabout with Ropa and my earth pigment Fibonacci “Heart” painting

“Phoenix reclinata palm leaves”… my painting.. hanging beneath the real thing in the garden…

Lin Barrie, “Phoenix reclinata palm leaves”

Johnson’s wire “Burnt Offerings Crocodile”, created from an inner of burnt wood, remnants of a crocodile sculpture retrieved from my house fire in 2014, soon to find a new home in Seattle…

Johnson’s wire “Burnt Offerings Crocodile”

Save Valley Conservancy (SVC), holds a childrens art exhibition at Art@84, a delightful array of powerful art from schoolchildren surrounding the SVC..

Elephant by Salma Maronga

And thinking crocodiles, here’s a stunning carved wooden beast from one of the schoolchildren… truly ‘art for impact’ and this piece was quickly acquired by Julie Taylor of Guns & Rain Gallery, Jozi.

carved crocodile, child art

In October, Kelli and I attend friend and poet/painter Samantha Vazhure’s delightful art exhibition in Harare, Nzwisa, at PaMoyo Gallery, 24 East Road, Belgravia, her art embracing homecoming, storytelling and myth as powerfully as her poetry does…. but this time with the colourful impasto textures of her paintbrush instead of the vibrant nuanced layers of her words….

Sam and Lin in front of one of her vibrant works, the half tree….half winter/half summer…half night/half day….my favourite piece on her show.

Returning to Kaya Nyala, I collect some wonderful palm fibre mats from Sarah Mhlanga of Mahenye village… I can’t resist craft that is made with such skill and care, a fine art indeed….

palm fibre mats from Sarah Mhlanga of Mahenye village

I accompany Clive, hosting good friends Ollie and Nicole and their guests, who have come to Chilo on a road trip from Cape Town, on a safari into Gonarezhou. We are lucky to spot African wild dogs, who grace us with hours of their family life. We sit with them into the late afternoon, that mellow light burnishing their coats as they stir from their siesta and start to think of the hunt to come..

African wild dogs, who grace us with hours of their family life

Always I will sketch and paint these beguiling, endangered creatures; they are my “totem”. A painter’s dream, long legged, multicoloured and graceful and they are such social, caring predators..family comes first with them, a lesson we all could live by…..

Lin Barrie sketch , African wild dogs, pep rally

From Kaya Nyala where I have worked with Chef Makokwe’s wives to create a delightful earth pigment wall painting around my art studio…

From Mahenye and Kaya Nyala, I drive north through the Jamanda Community Conservation Wilderness area at dawn…

Mopani trees are unfurling tender lime green leaves in response to the first rains ….

I drive north through the Jamanda Community Wildernes area at dawn…

Elephants are very active here and roadblocks abound

Elephants are very active here in the Jamanda Conservancy and roadblocks abound….

Exiting the Jamanda Wilderness, into villages and towns again, November flamboyants flame red against the houses and stores that I pass…

flamboyants, flaming red ..

Can not resist a stop at my friend Obey Munhutu’s roadside craft stall, where he makes baobab mats. I deliver some ripe pawpaws from Kaya Nyala to his family, and I buy his mother’s woven sisal rugs enhanced with beautiful natural dye, the very leaves of which he shows me…

Sisal leaf, and a woven sisal rug enhanced with beautiful natural dye from the leaves of the bush behind!

I head onwards to Mutare to collect Kelli on the Air Zimbabwe flight from Harare.. and we spend a night with dear friends Bron and Jerome.. (Peri peri chicken at the Portuguese Club is a must for our meal together).

Road trip back to Kaya Nyala, and we stop at Hivu Deli and plant nursery in Mutare for a coffee and garden break… Flamboyants shower a friendly bench with pre-christmas colour, and it is a delightful surprise to meet friend and fibre/stitch artist Georgina Maxim and her son, in for a milkshake from their inspiring Village Unhu artspace at the old Drifters Lodge ‘last’ Resort…

Thereafter we take a leisurely road trip, some shopping therapy needed… Kelli is spoilt for choice at JP & Sons. With difficulty she resists the hand carved drums (ngoma) but purchases some leg rattles (for dancing of course), and I buy a goatskin dancing skirt, of course…….

Kelli is spoilt for choice at JP & Sons General dealers, and I’m very pleased with my goatskin skirt. watch these spaces to see the end use of it!

Onwards towards the Save River we go, and past one of my favourite baobabs, the ‘Car Wash’ baobab outside the local pub, near Tanganda Junction…

The ethereal white flowers fall to the hard ground and briefly shine white before deepening to deep red crisp old age …

Lin Barrie, baobab flower sketch..

Back at Kaya Nyala, our village subsistence plot, we are farming chickens, turmeric and goats, With the happy support of our little family, Clive is trying out different models of farming which could easily roll out to replicate within our Mahenye community. Living with wildlife and livestock, just as our neighbours have to, is a balancing act. Already we have lost some goat babies to hungry male baboons… but at the goat (mbudzi) pens many new kids have survived, and Kelli is in love….

baby goats at Kaya Nyala- kelli is in love

At the goat pens too, we smell the wild jasmine before we see it, and our noses find wild jasmine bushes, covered in deliciously scented white sea anemone spiky petalled offerings…

Goat smell plus Jasmine Scent…who can beat that?!

we smell the wild jasmine before we see it….

A watery sunset looking upriver, on the Save River, November at Kaya Nyala…the river has risen with some rain last week, but fallen again, awaiting more rain…

sunset on the Save River, November at Kaya Nyala

Kaya Nyala is solar powered, totally self sufficient; costly but essential also to have a simple electric fence to keep the elephants and hyenas to their corridors and us to ours!! ..

While at Kaya Nyala, Kelli gets the welcome media news that Rise, the short boxing movie she created special effects make up for, is in line for the Oscars 2026!!

Rise, the movie, is in line for the Oscars

Flowers galore are budding forth at Kaya Nyala. The Taberna montana (Toad trees) burst forth into starry offerings and rain little helicopter stars down on our sand pathways. A ‘Van Gogh’ starry night painting inspiration for me….. a dance of life, a dance of starry flowers….

starry night, Tabernae montana flowers on tree and ground

Butterflies are everywhere at Kaya Nyala and this Pearl Spotted Charaxes is found on my desk, a faded but still magnificent beauty … A delicate dance of life and death in nature…dance is everywhere I look..

beautiful even in death – Pearl Spotted Charaxes butterfly at Kaya Nyala

In my studio I am building on sketches and ideas for Dance; dance transcending boundaries, from traditional to contemporary hip hop, and am here working on a sketch inspired by the Dans6T and Afrikera Trust show at Alliance Francais earlier this year…

Lin Barrie, Hip Hop charcoal sketch and traditional dance skirts in my studio…

After various interviews this last few months in the Mahenye Village, with Passmore Ndhlovu and the Lowveld Media Trust, (and after National Culture Month Dance and Budula Dance Festival earlier this year), Dance, Rhythm and Music are constantly on my mind as I work in my art studio and in the community, towards a Dance, Rhythm and Music theme for various exhibitions in 2026…

Episode 7 of the “Exploration of Shanagani Culture” 13 part series produced by Lowveld Media Trust, where I am happy to share my thoughts on arts and craft, has now aired on Youtube.

Thank you Passmore Ndlovu (Director/Producer/Camera), Lloyd Ndebele (editor/camera and sound), Tapiwa Change (camera and sound), Prince Sithole (camera and sound), Elizabeth Bernard (Xitsonga presenter)

exploration of Shangani Culture Art and Craft with Lin, episode 7 of 13 episodes

Leaving Clive to carry on farming at Kaya Nyala and safari guiding at Chilo Gorge Safari Lodge, Kelli and I head back to our bush house Tsavene in the Save Valley Conservancy, where we are greeted by the Sabi Stars in full glory..

Sabi star at dawn at Tsavene

FashionArt alert!…. An embellished pre-loved Rock & Roll Jacket is in creation! That visit with Olli and Nicole at Chilo Gorge Safari Lodge and Kaya Nyala,  resulted not only in African wild dog adventures, but also in me inheriting a Rock and Roll drill jacket from Nicole, which I am now embellishing with collaged, hand stitched offcuts of MaCeka, (African print fabric now naturalized but originating from the wax resist prints which became wildly popular after years of trade with Indonesia) which our Mahenye ladies source from Mozambique. I have also been donated offcuts by Belinda Clowes from her sewing room where she creates the wonderful range of craft and fashion items.

At Tsavene I take the chance to work on my Rock & Roll jacket .. slow and therapeutic hand stitching, (Georgina would be proud of me…!) And I am loving the pop of pink that I’m adding, from Mahenye MaCeka fabric that I also used in my Mbudzi (goat) painted collage… it’s the GOAT !

After a few days rest (and plenty of therapeutic slow stitching!) at Tsavene, a glowing dawn breaks and we pack up to drive north on our next, rather bumpy, road trip through the Save valley Conservancy…

at Tsavene, a glowing dawn breaks

The baobabs along the way make me want to stop and paint; they are dancing with ballerinas in white skirted tutus, the frilly white flowers anticipating a good growing season. The ‘ballerinas’ that don’t stumble and fall from the tree will produce heavy fruits, baobab pods to hang pendulous and filled with nutritious baobab powder, a wonder food which Clive mixes with turmeric and ginger into a smoothie for us every morning.

Fresh and glowing new leaves on the Mopane trees as we drive north through the SVC… I feel the need to sear this colour onto my retina, an abstract lime green painting is growing I think…..

Fresh and glowing new leaves on the Mopane trees as we drive north through the SVC

Birchenough Bridge never fails to awe me, towering over the landscape….. the donkeys pulling this cart don’t seem as impressed as I am though…

Onwards and upwards we go, turning onto the Chimanimani Skyline Road and higher and higher into the mountains that are the backbone of Zimbabwe’s eastern border with Mozambique… the mysterious, brooding Chimanimani mountains. We stay at The Treehouse, a new and unique boutique art lodge, perched high above the Haroni River, filled with vibrant furnishings and original artworks on every wall and with breathtaking views at every window… (my Rock & Roll jacket fits right in…..)

Rock & Rolling with art and bedroom views at The Treehouse, Chimanimani

We get up at dawn, brew a cup of coffee and then sketch on The Treehouse deck, hanging high above the Haroni River, as a huge black raven watches over us….

Haroni River below, Kelli and Lin enjoy views forever, coffee and sketching at The Treehouse, watched by a black raven

We take a road trip to Tessa’s Pool, a basin filled with mountain water from a graceful waterfall, with bones of tumbled granite and clothed by phoenix palms and ferns.

Kelli and I, entranced, slip into the crystal clear water and stare up at that mesmerizing waterfall, floating, just floating…. as in a dream. I am seeing a Martin Van der Spuy painting in my head as I hang in the cool pool, surrounded by reflections and staring up at the rocks and the water fall tumbling from high above against the lips of the sky…. I just want to float there for hours…And I do….

rocks, water, ferns, painting by artist Martin Van Der Spuy and Lin floating, just floating, inTessa’s Pool

Snuggling into a cottage at Frog And Fern we are surrounded by more art... the glorious weave of a bark rug (msasa I think) made by local craftspeople…..and Martin Van der Spuy watercolours gracing our bedroom

a glorious bark rug made by local artists, and an equally glrious watercolour landscape by Martin Van Der Spuy

Bridal Veil Falls is the next stop on our road trip, as we drive through glowing scenery….

glowing summer leaves

We have fortuitously meet my friend Lauryn Arnott, fellow artist from Durban Technikon FineArt, and she suggests I look out for the coptic priest she has observed with her keen artists eye at Bridal Veil Falls! Indeed, as Lauryn promised, there’s the coptic priest ministering, his rod out over the fine furl of water that tumbles past him on the sheer face of the rock, while Kelli plans future yoga and wellness retreats. Nature has sculpted him from the dried leaves and stump of a dead Ensete (wild banana) plant, and the poor priest will not last long enough to see over any of Kelli’s future retreats….. within a season he will collapse back into the earth he came from.

Bridal Veil Falls, spot the coptic priest……!!

In Chimanimani Village we visit artist Webster Mubayirenyi who is creating Biodiversity Murals at the CHIMANIMANI Biodiversity Community Learning Centre.

Webster Mubayirenyi, wall murals for Chimanimani Biodiversity Community Learning Centre.

The Skyline Road to and from adventure and this Zimbabwean landscape never palls…as we head back to Harare…

The Skyline Road to and from adventure…

Back in Harare I attend the wonderful opening of the group exhibition at Mbare Art Space (MAS), Mwana Wehvu. Mwana Wevhu – soil/earth and ancestry/identity reclaimed by the MAS artists, and open to interpretation by the audience, (the title arising from a conversation Moffat Takadiwa had with Dr. Ignatius Mabasa) featuring Takunda Regis Billiat, Kimberly Tatenda Gakanje, Nkosiyabo Frank Nyoni, Julio Rizhi, Tafadzwa Benson Chataika, Lomedy Mhako, William Joseph Kachinjika, Marcus Zvinavashe and Nyasha Jeche (of the CaliGraph collective).

That Star Bar exhibition space is spectacular, with a fascinating history from colonial days as well…if those walls could speak! Certainly the MAS team are giving those walls new and powerful voices …..

Photos collage with Geri Cam, Moffat Takadiwa and curator seen chatting to the artists.

Mwana Wevhu – soil/earth and ancestry/identity reclaimed by the MAS artists, featuring Takunda Regis Billiat, Kimberly Tatenda Gakanje, Nkosiyabo Frank Nyoni, Julio Rizhi, Tafadzwa Benson Chataika, Lomedy Mhako, William Joseph Kachinjika, Marcus Zvinavashe and Nyasha Jeche (of the CaliGraph collective). With Geri Cam and Moffat Takadiwa seen chatting to the artists.


That same day I head to Mara Mara, meeting Kelli there, for the release of the third edition of the Design Life Africa magazine, (editor Milly McPhie). It’s a fun party, art, music and restaurant space in Harare.

Kelli’s electric pink and blue make up gracing the gorgeous features of Miss Rosebud on the front cover…

Kelli Barker Make Up, Design Africa Magazine, editor Milly McPhie

A roller coaster art week follows, (thank you dear Geri for all the networking and art inspiration!), beginning with an inspiring visit to Chi-Town for a walkabout of the Chitungwiza_artists_collective exhibition “Dombo rakarashwa nemuvaki” which featured four artists: Tanyse van Vuuren, Evans Mutenga, Tawanda Reza and Clive Mukucha – with Geri Kam plus US Embassy Ambassador Pam Tremont, her husband Eric Tremont, Melinda Crowley, (Head of Press & Culture, U.S. Embassy Harare), and Butho Nyathi, (Public Engagement Coordinator, U.S. Embassy Harare)

Admire Kamudzengerere, hosting the walkabout with their cute new baby attached, Tanyse van Vuuren, Evans Mutenga, Tawanda Reza and Clive Mukucha – with US Embassy Ambassador Pam Tremont


Chitungwiza Art Studio visits follow, with fellow artists Admire Kamudzengerere and Wallen Mapondera, and art associates…

Here we are at Wallen Mapondera’s studio…

Chitungwiza Art Studio visit with Wallen Mapondera, Geri and Butho, egg box innovations…

And on to the Animal Farm artists walkabout …… a vibrant painting studio and print shop, so inspiring.

Animal farm artists walkabout with Admire Kamudzengerere, artists and Ambassador Pam Tremont, and Melinda Crowley

At the National Gallery of Zimbabwe exhibition, “They Still Owe him a Boat..”, I participate in an artist talk with Jono Terry, moderated by Fadzai Muchemwa. His perceptions and art statements surrounding the Kariba Dam and its history are fascinating… and I ask Jono about that powerful portrait, see below, with the almost reptilian glowing eyes, it feels to me like that nyami nyami the fabled river spirt of the Kariba Basin/ Zambezi River, is peering through. In the reflections photo next to it, Jono says he felt that he had seen the spirit of Kariba therein, the very shape of Nyami Nyami…

Jono Terry, in discussion with Fadzai Muichemwa at the National Gallery, Harare, Zimbabwe, “They Still Owe him a Boat..” (background kariba photo by Jon Terry, all other collage photos are my own).

Then onto 4 Brighton Road – an intriguing new gallery space in Harare, for Sherman Baloyi’s exhibition “Postcards from the Future”, a walkabout and wonderful catch up with him on the juxtaposition of his paintings and textiles, his own prints painted over with optimistic black figures, so that the shape of the print beneath still informs the painting on top…, I am taken with his treatment of eyes, especially the eyeglasses created with fabric collage much like my own Goat series…and his use of beadwork. Portraits vibrant and engaging, optimistic yes, and a hopeful uplifting art offering!, and it is lovely catching up also with dear Kuda Chakwaz, fellow artist and curator of our original “Burnt Offerings exhibition in 2023.

Sherman Baloyi’s exhibition Postcards from the Future, with Kuda visiting. Oh those shades, those eyes…..

In a full circle from my days of working in textiles at Screentone, (now called Kingfisher Prints), Harare, I have collaborated with Black Rose and Cindy Collyer, to create Palm silkscreen prints from my huge original canvas of relief printed Phoenix reclinata leaves seen earlier in this blog, and now silk screened at Kingfisher Prints to make up as Duvet covers..

palm print range, duvet and pillow cases, by Lin Barrie and Black Rose

Sofar Sounds in Harare, a worldwide concept of pop up music happenings, masterfully managed in Zimbabwe by Khumbulani Bandar Maleya, is going from strength to strength. For the previous edition of Solar Sounds at Mara Mara, I lent some of my artworks as a solo exhibition, a wonderful concept of uniting painting and music…

Lin Barrie painting exhibition collaborating with Sofar Sounds Music fest pop ups….

Sofar Sounds at the Hyatt Regency Hotel Harare last month featured music of the 70’s – with Khumbulani Bandula Muleya and with my vibrant ‘wild child’ styling her 70’s fro’.

At the Hyatt Regency Hotel – Kelli Barker, make up artist, with friend Khumbulani Bandula Muleya

Plus this edition of Sofar featured striking fashionart (my term for a fabulous fusion of fashion and fine art) – art prints by artist Eva Raath on recycled curtains and tablecloths recovered from the old Meikles Hotel, when it was renovated into the Hyatt Regency, Harare!! The art prints were then made into fashion garments by PezzCuliar and modeled by a team of Zimbabwean beautifuls… NB; Eva Raath will present her art in the Zimbabwe Pavilion at the Venice Biennale 2026

fashionart (my term for a fabulous fusion of fashion and fine art) – art prints by artist Eva Raath, outfits by PezzCuliar and all Zimbabwean models…

For Sofar Sounds 25th edition hosted at @hyattregencyharare, Vera and the Husbands, Serpent, and the band ‘1970 Something’ rocked the stage. ‘1970 Something’ united five gifted artists who have never before shared a stage! @mannexmotsi on lead vocals, @jamesbuzizi on rhythm guitar, @basilmahachi on bass, @zealman on drums and @trustsamende_ on lead guitar……

Whew, what an art roller coaster these last few months have been, the vibrancy and innovation of Zimbabwean creatives never ceases to amaze me. The unfailing strength of their selfless collaborations is heartwarming, we truly are a small country of creatives with BIG REACH and BIG HEARTS!

Another road trip… I stagger back back from Harare to Kaya Nyala, punch drunk with art and ideas, never enough days to experience all of the vibrant culture that Zimbabwe has to offer!! (I am sadly missing the Alamasi Theatre Productions), as I have to get back to Kaya Nyala to host Dr Siva from India (Stanes Bio products) and Clare Keane Hammerson, from my brother’s Integrated Pest Management company, Real IPM…who give us valuable biological advice on growing an organic chemical free turmeric crop for export, under the business direction of Godfrey Marange. EEE money going into the ground, let’s hope some comes back out…! This is a brave jump into the blue for Clive and looking good already…here a photo collage of our progress, (with the good rain that has been had, the turmeric is budding well, and gorgeous red velvet mites, like little plush pincushions, are everywhere) …

a brave jump into turmeric production for Clive, who is relishing farming – a very real part of his conservation and community work, , and the crop is looking good already…

In between admiring the turmeric project, and the lowveld sunsets, I pickle our own homegrown onions and make mielie bread with our fresh picked green mielies (YUM!)

We are back at Tsavene for the Christmas season, and Anderson is so clever at making Christmas crackers for the staff children, and little Winley loves helping to decorate the Muuyu (baobab) wire tree that has been our Christmas tree for many many years… with handcrafted baubles and Gogo Olive knitted animals (which Winley knew all the names for…!)

Our wire Christmas tree, with Gogo Olive knitted animals which Winley knew all the names for…

I am found baking a Christmas cake, my mother’s recipe of course! as Christmas looms…

Tsavene christmas cake and fresh garden bounty

This muuyu tree of ours grows with found objects year by year, a true delight, ‘growing’ flowers, and fruit much like a real baobab!!

And our wish for you all who are reading this – dear friends, fellow artists and precious family, and those of you whom I don’t know yet but who find your way to my blog, is that your lives grow creatively and bear fruit in unexpected ways, and that you have a very Happy Christmas season, with warm memories outweighing the bad from 2025, and so much to look forward to in 2026….

This blog looks idyllic and inspiring, and indeed 2025 has often felt so to me, but the downs and the challenges, the losses and the depressions, are there always, just not documented, just accepted and worked with. I wish for each of you acceptance, tolerance and most of all, I wish you LOVE.

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National Culture Month, Zimbabwe 2025, “Celebrating Indigenous Voices”; a turning point for me into a wider Dance, Art, Rhythm, Music and Craft celebration in my art practice…

Zimbabwe’s 2025 National Culture Month, May 2025, under the theme “Celebrating Indigenous Voices” celebrated the country’s diverse cultural and linguistic heritage.

Culture Month Launch at Rusununguko Clinic, Chiredzi, Zimbabwe, was the lowveld component of the nationwide events – particularly celebrating our local Tsonga/changana culture

Culture Month Launch at Rusununguko Clinic, Chiredzi, Zimbabwe,

Wonderful traditional xibelani dance was displayed for the huge crowd that attended the event …inspiring me onwards in my dance theme for my own art practice …

My own art exhibitions with the National Arts Council Zimbabwe and the National Gallery, Zimbabwe, during Culture Month, Zimbabwe May, 2025, marked a turning point for me into a wider Dance, Art, Rhythm, Music and Craft celebration in my art practice.

History:

Living as I do with the Mahenye Xangana (Hlengwe) community of the south east lowveld, Dance (Kudzana/Kutamba), Storytelling (Ngano) and Poetry has long featured in my art, such as this painting and poem “Dancing with my sisters, Dancing with my cellphone…” 2018, acrylic and hand-stitched rhythmic beadwork on stretched canvas, 3 x 4 feet, and inserted is my poem…. (originally shown at The National Gallery of Zimbabwe, ‘Blood Relatives” group exhibition, 2018)

Lin Barrie, “Dancing with my sisters, Dancing with my cellphone…”, acrylic and beadwork on stretched canvas, 3 x 4 feet, and poem….

During the last year, I have been sketching traditional dancers in the tsonga/changana community, in the south east lowveld of Zimbabwe, and contemporary dancers from Zimbabwean dance group Afrikera Trust and French dance group DANS6T at Alliance Francais in Harare, and what entrances me is the similarity, the continuity of movement and expression, a universal language replicated endlessly!!

Lin Barrie, sketches; from traditional tsonga/Shangana dance to DANS6T and Afrikera Trust HipHop!!….

I am dreaming and painting large “dance” abstracts, referencing my sketches, and thinking about ‘Dance’ and the dance dress that people wear as a universal communication across boundaries and between diverse people… from traditional tsonga/changana dance to Michael Jackson to HipHop!!….

Lin Barrie, acrylic/mixed media painting and woven/crochet twine medallions and rag strip dance skirts

I am also creating woven/crochet twine medallions with the Mahenye ‘crochet and weaving queens’, Blessing Runodada, Susan Simango, Margaret Chauke and Sarah Mhlanga!

I create my “art from trash” rag strip dance skirts using recycled fabric off cuts from my dear stepdaughter who owns a business making sports-kit and school wear. These are stitched into my fashion/art ideas by Luckson, a dress maker friend in Harare… art assemblages in their own right!

I create my Salampore beaded art/dance skirts with the kind help of talented beaders Blessing Runodada Red, Pukwani Simango Black, Jenny Muhlanga (Enock sister), Jennet Chauke, Susan Sithole Turq, Lucia Simango Yellow and

Lin Barrie, acrylic/mixed media painting with rag strip dance skirts and beaded Art/dance skirts

Exploring Traditional dyes in art and crafts in the south east lowveld…. At the British Council, Creative Economy Week held in Harare, early 2025, my explorations into indigenous bark dyes resulted in an art workshop where I created tie dyed and hand painted art/dance skirts and rhythm-inspired paintings using my hand collected and processed khulhu bark (Trichelia emetica)….

Lin Barrie, explorations into indigenous bark dyes resulted in art/dance skirts and rhythm-inspired paintings using indigenous natural dyes such as khulhu bark (Trichelia emetica)….


Painting with a lala palm brush, plus printing with found objects, gave very satisfactory marks in my painting on my dance skirts…


Lin Barrie, Painting with a lala palm brush, plus printing with found objects, on my dance skirts…

Background to the National Arts Council Zimbabwe National Culture Month, Zimbabwe, May, 2025:

After the Miniatures group exhibition at the National Gallery of Zimbabwe and the Creative Economy Week, we as Burnt Offerings Collective were invited by both National Gallery of Zimbabwe (NGZ) and National Arts Council of Zimbabwe (NACZ), to further display all this art at Cultural Month Launch at Rusununguko Clinic, Chiredzi, Zimbabwe, May 2025… follow this link for some background….. (We thereafter went on to show our artworks at Budula Festival June 2025)

Culture Month – Lin with Mai Mudefi (NACZ Masvingo provincial manager) and Tandani Senzeni (Curator for Education and Public Programming for National Gallery of Zimbabwe) at Rusununguko Clinic, Chiredzi

Celebrating Indigenous Voices was the NACZ theme for National Culture Month… a theme of course very close to my heart, and my growing art theme during 2025, and to be continued into 2026, is DANCE.

Dance paintings by Lin Barrie, Dance Skirts and art assemblage, with Clive Stockil and Mrs Gotore (NACZ) viewing “Caged Culture” and Johnson Zuze “Shell Wasp”, at Culture Month, Rusununguko.

At National Culture Month, one of my art displays was “Caged Culture” Art Assemblage, a ‘dancing’ lady composed of wire cage body, clay pot heart, beaded necklaces, snail shell totems, traditionalsalampore fabric beaded dancing skirt (chibabela), maceka (wraps) of Zimbabwean national fabric and wooden table legs. (Credits: I am using a skirt by Junia Matsuve, and beaded snail shells Kelli Barker)….

Lin Barrie “Caged Culture” Art Assemblage (with artefacts by Junia Matsuve, and Kelli Barker), NACZ and NGZ, seen at Rusununguku Clinic, Chiredzi, May 2025…

Culture Month at Rusununguko- Lin Barrie Dance paintings…attended by glorious fashionistas..

Lin Barrie Dance paintings…attended by glorious fashionistas..Clive Stockil in background

ZBC news online featured an interview with me at Rusununguko…

https://www.facebook.com/zbcnews/videos/1064593798896143/?mibextid=KsPBc6

We, as Burnt Offerings Collective, (Lin Barrie, Johnson Zuze and Kelli Barker), were honoured when President Manangagwa visited our art exhibition, as seen here with Napoleon Nyanhi of NACZ, and Lin Barrie…..

Culture Month ZBC news – President Manangagwa, with Napoleon Nyanhi, NACZ Director, Clive Stockil and Lin Barrie

Anticipating the Presidential visit, I soon learnt a hard lesson, learnt the price I would pay for bravely displaying my art assemblage “Caged Culture”, (my dancing ‘lady’ composed of wire cage body, clay pot heart and dancing skirt with wooden table legs…). I brazenly put her out in the open, as seen here, ready to DANCE, with the Presidential cavalcade and hospitality tents in the background… as Johnson Zuze’s shell wasp peeks out from behind. Note, we were wisely advised by Mrs Gotore and Mrs Mudefi to move the artwork well back, which we did not do, our mistake... so read on below for the lesson we learned…!!

Culture Month, “Caged Culture”, stands bravely… ready to DANCE!…with her Salmpore striped fabric beaded skirt by Junia Matsuve, and clay pot heart, waiting to be presented to the President. Johnson Zuze’s shell wasp peeks out behind.

The lesson I learnt below in italics…not to put my “Caged Culture” too much ‘out in the open’…!!….

At Culture Month, my art assemblage “Caged Culture” stood bravely forth… unwrapped and ready to DANCE!… With her Salampore fabric beaded skirt by Junia Matsuve, her clay pot heart and her beaded totem shells, she boldly waited to be presented to the President. As the President approached our art display, the wave of paparazzi that eagerly engulfed us completely ran over poor “Caged Culture”, knocking her to the ground, her skirt in disarray and her wooden legs in the air, as they jostled for position to photograph the proceedings!!! She stoically survived the assault, and after the President had been introduced to us by Napoleon Nyanhi, and the entourage had swept onwards, we picked her up and dusted her off. We were watched carefully by a vigilant rear guard, a fierce-looking, fully armed, helmeted and goggled security man. Let’s call him Darth. Darth seemed made of granite, enigmatic and definitely not approachable, but as I indignantly righted “Caged Culture” and caught his steely eye, I just had to smile, and was rewarded with a crinkling of the eyes behind the bullet proof visor, a twinkle of humanity and humour behind that grim visage !!!

“Caged Culture” survived to dance another day, and I, together with Johnson and Kelli, press onwards with our theme of DANCE, working towards some exciting exhibitions in 2026…..

Let’s Dance, Kudzana, Kutamba, Kuchina !!

Postscript: As an extra display in the craft tent for Culture Month 2025, next to the NGZ craft table, I was thrilled to be able to provide transport for some friends, master art crafters from Mahenye Community, where we live; Enock Nyamayawo, (basketry and fishtrap), Blessing Runodada and Susan Sithole (beadwork). Present also was our dear friend, elegant Mr Manyaya from Gudo, a master craftsman who makes woven and dyed hats from lala palm …..Clive and I have worn his wonderful hats constantly since 1997 when we first met him.

Mahenye crafter artists, Enock Nyamayawo, (basketry and fishtrap), Blessing Runodada and Susan Sithole (beadwork), and Mr Manyaya, (woven and traditionally dyed hats from lala palm) ….. Lin Photo

History was made showcasing these truly unique crafts such as beaded jewellery, woven vine baskets and mats, traditional lala palm brooms/mutsvairo (svielo), from the Xangana (Changana) Mahenye community in Zimbabwe, South East lowveld, with the National Arts Council of Zimbabwe – NACZ and The National Gallery of Zimbabwe.

The crafts were noticed and admired by every level of viewer, all the way up to the President of Zimbabwe, who could not resist holding and learning about the traditional fish trap supplied by Enock Nyamavawa, and made at Mahenye. Here are Napoleon Nyanhi of NACZ and His Excellency, The President of Zimbabwe, talk CULTURE, art and craft, at the Mahenye crafts stand ….

Napoleon Nyanhi, Director of NACZ and His Excellency, The President of Zimbabwe, talk CULTURE, art and craft, at the Mahenye crafts stand, (photo courtesy of ZBC online)
Enock’s traditional fish trap gets admired…(photo courtesy of ZBC online)

Lin and Mr Napoleon Nhyani, at Rusununguko, for Culture Month.. and what a fabulous cowhide suit Mr Nhyani is wearing, tradition fused into FashionArt!

Lin and Mr Napoleon Nhyani, forging art bonds, love of cultures and collaborative art partnerships

Johnson Zuze, Spider and Wasp, a ‘dance’ of life and death.….was shown at NGZ Miniatures exhibition and at Culture Month, Rusununguko…. celebrating the dance a spider-hunting wasp does when preying on the spiders it needs to nurture its eggs into a new generation of wasps…truly a Dance of life and death, recycling, regeneration….

Johnson Zuze, Spider and Wasp, snare wire and found objects with snail shells…

Kelli Barker showed , “HARROWED, BE THY NAME 2; Fire Dance; Tribal Dance‘, a limited edition Art Print, A1 size, (previously shown at Burnt Offerings Collective, Pikicha Gallery, 2023) And note the sparkling, jeweled and encrusted skin art that make up and body artist Kelli has adorned her wonderful model Farai Chigudu with, a theme repeated in the jeweled snail shells she created for me to use in the Caged Culture art assemblage….

Kelli Barker, “HARROWED, BE THY NAME 2; Fire Dance; Tribal Dance‘, limited edition Art Print, A1 size, (note the sparkling, jeweled and encrusted skin art that make up and body artist Kelli has adorned her wonderful model Farai Chigudu with, a theme repeated in the jeweled snail shells she created for me to use in the Caged Culture art assemblage….main photograph by Faz Pixels and collage photos by Lin Barrie

Watch this space as we dance together into 2026…. Let’s Dance, Kudzana, Kutamba, Kuchina !!

I will develop my dance sketches into larger abstracts, some made with my traditional broom brushes and lala palm fronds, that I love using!

Lin Barrie, DANCE, Palm music 1, Created with phoenix palm fronds, acrylic on watercolour paper A3 2024

Mark-making, Dancing into 2026, with my traditional broom brush (mutsvairo) made from lala palm fronds the village of Mahenye.

Mark-making, Dancing, with my traditional broom brush (mutsvairo) – made from lala palm fronds,

Kelli and Johnson, my fellow collectives, are also pursuing dance themes in their art practice as 2026 beckons us to DANCE, to create RHYTHM, make MUSIC, make ART and CREATE fearlessly!…

Lin Barrie in studio with dance paintings… Let’s Dance, Kudzana, Kutamba, Kuchina !!

Let’s Dance, Kudzana, Kutamba, Kuchina !!

Note: All photos are property of Lin Barrie unless otherwise stated..

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Burnt Offerings Collective at Cheuka Harare Art Fair (CHAF) 2025; LOOK! Take Notice….

My general report and thoughts on Cheuka Art Fair (CHAF), 2025 are in my associated blog, please do visit that and enjoy the read…..

Burnt Offerings Collective at Cheuka Harare Art Fair (CHAF) February 2025….

After my attendance at FNB art fair, Johannesburg in September 2025, I am only now truly appreciating and processing the lasting impact that this brave and honest Cheuka’ art fair initiative has made on so many of us Zimbabwean artists, collectives, curators and collectors…and on our Burnt Offerings Art Collective in particular.

‘Cheuka’ (a shona word; to look, to take NOTICE, to observe both the tangible and the intangible things around us) is truly an apt name for this art event, anticipated to be held yearly. Conceived and co-ordinated by Wallen Mapondera, Admire Kamudzengerere and Merilyn Mushakwe, and curated by Laura Fungai Ganda of the Creative Lounge Trust, Cheuka Harare Art Fair 2025 (CHAF) was created by artists, for artists. A brave and innovative move in a tight economy, bringing the attention of the world to Zimbabwe, to Africa.

What a roller coaster this was, as in the last few months of 2024 and the first few months of 2025 it was all go for our Burnt Offerings Collective (Lin Kelli and Johnson) to finalise work for the inaugural CHAF. Working at all hours, in studio and in garden, we prepared our offerings

Master wire and found objects artist, Johnson Zuze, hard at work on Njuzu, Resuurection in the garden at Studio 214

When the setting up day dawned on us, the tight reality of hiring the space, (the Andy Miller Hall, Harare Showgrounds), on a constrained budget for a few days only, meant that the visionary organizers were heroically allocating booths, Mr Gweshe and team painting, hammering and creating the booths, as artists arrived to help construct booths, lend hammers and tapes, and install works…and it all came together with grace and minimal frayed tempers, in typical good-willed Zimbabwean style!

Burnt Offerings Collective booth at the Cheuka Art Fair (CHAF) 2025, this video shows setting up, (Admire Kamudzengerere of Animal Farm Artist residency, Jo and Josefina of Beta Gallery, in the background, and listen for the sound of last minute hammering!…)

As Burnt Offerings Collective, we are three fellow artists……

Lin Barrie, painter, mixed media artist

Johnson Zuze, sculptor, wire and found objects artist

Kelli Barker, painter and body/make up artist

Our Burnt Offerings Collective Concept for CHAF: 

Our “Burnt Offerings Collective” exhibition at the Cheuka Art Fair 2025 displays three artistic points of view, (reflecting our theme of ‘flight’); and is asking viewers to ‘notice’ our three interpretations of intangible emotion portrayed by tangible materials; canvas, snare wire, found objects, acrylic and oil paints, body paints, photographic archival prints. As collaborating artists, Lin Barrie, Johnson Zuze, and Kelli Barker, we created immersive installations of canvas and paper artworks, wire and found objects sculptures, and photographic archival prints of film and body art.

We invite viewers to CHEUKA! Notice! Look, Look and Look Again!

Our Burnt Offerings Collective display proposal…..(most booths were 4 x 4 x 3 metres):

Sketch of our proposed art exhibition display, for Burnt Offerings Collective, at CHAF

Burnt Offerings Collective exhibition booth at the Cheuka Art Fair (CHAF) 2025, various views….

(the full catalogue of Burnt Offerings Collective artworks is at the end of this blog)

Our exhibition celebrates the ability within all of us to NOTICE!… to Look at the tangible, to Look at the intangible, to Look at creative ways to rise above the physical and metaphorical fires and trials of life; to never stop truly LOOKING.

I wrote and displayed poetry to support our artworks…..

Cheuka! Notice!……

To look with our hands

to hear with our voices

to feel with our eyes

to taste with our touch

to speak with our ears

to spread our wings

to see the impossible

as possible………

the intangible

as tangible………..

Lin Barrie

Looking at flight in all its nuances (observing, celebrating and feeling flight, is often a common thread in our Burnt Offerings collaborative works).

Looking to our mentors, our angels, our ancestors; inspired by the legacy they leave us, and the wind they offer us to lift and spread our wings.

Looking at overcoming; rising above the travails of life, the tragedies and challenges….

Looking at ngano, fables and tales from antiquity; relevant always in a modern sense.

(tales of such as the Njuzu, (Njuzi), a Zimbabwean water-being with powers to suck people below the surface to live as ‘mermaids’, and of the Greek legend of Icarus, who, with wings of feathers and wax, foolishly flew too close to the sun and crashed when his wax wings melted… )

Looking to our art practice, our Burnt Offerings Collective, I write poetry inspired by our artworks:

Burnt Offerings

of canvas, wire and skin;

physical imaginings

become art reality, 

myth reinvented.

Coils of wire

twisted, twined

embracing life

delineating death. 

Painted flesh,

painted canvas,

looped wire,

wire to wings, 

wings to canvas.

Look; Cheuka!..

Art resurrected,

wire and canvas

and flesh in flight….

Look, Cheuka!..

an African Icarus

uplifted, bouyed by

hopeful invention.

And unlike Icarus

we do NOT fly too high,

we acknowledge mortality 

in the fierce glare

of the waiting sun.

We simply create

within our means.

Spoken word, poem by Lin Barrie

Here follow some moments captured at our booth at CHAF 2025……

Johnson Zuze and Njuzu, Resurrection, snare wire and found objects, at our booth…

Burnt Offerings Collective booth at Cheuka Art Fair, Johnson Zuze and Njuzu, Resurrection, snare wire and found objects….

Poet, writer, publisher and fellow artist Samantha Vazhure visits Burnt Offerings Collective booth……..

Poet, writer, publisher and fellow artist Samantha Rumbi Vazhure visits Burnt Offerings Collective booth at Cheuka Art Fair

A joy, sharing our art and poetry with fellow artists and public….

Burnt Offerings Collective booth at Cheuka Art Fair, visitors admire Kelli Barker art prints on canvas

Our booth visited by Zimbabwean writer, master wordsmith Tinsashe Muchuri…

Burnt Offerings Collective booth at Cheuka Art Fair, with Tinashe Muchuri

Lin admiring Kelli Barker, Flight I and 2, archival photographic prints on stretched canvas…….

Lin admiring Kelli Barker, Flight I and 2, archival photographic prints on stretched canvas, at CHAF 2025

As you will have seen from our written concept, the power of Flight, physical and metaphorical, the value of NOTICING our potentials, is a common thread between the artworks that we display at CHAF.

Portraits; Kelli Barker, Johnson Zuze, Lin Barrie;

Portraits; Kelli Barker, Johnson Zuze, Lin Barrie; Burnt Offerings Collective

Here are our ARTIST STATEMENTS:

Lin Barrie, Artist, Writer and Poet; Artist Statement
Johnson Zuze, Wire and Found Objects Artist; Artist statement
Kelli Barker; Painter, Professional MakeUp and Body Artist, Artist Statement

CATALOGUE: Burnt Offerings Collective

Name: Lin Barrie 

Title: Look to your wings…. 

Medium: Acrylic and oil pastel on draped/loose canvas 

Dimensions: 155 cm x 260 cm 

Year 2025 

Name: Lin Barrie 

Title: Look, Look Again; Emergence, diptych, 

Medium: acrylic/charcoal monotypes on paper, 

Dimensions: 91 x 64 cm each painting size, 

Year: 2023 

Lin Barrie 
Title: Look, Look Again; Emergence, diptych, 
Medium: acrylic/charcoal monotypes on paper, 
Dimensions: 91 x 64 cm each painting size, 
Year: 2023 

Name: Kelli Barker 

Title: Flight I 

Medium: archival photographic print on canvas 

Dimensions: A1 

Year 2023 

art print on canvas, from Kelli Barker art film “Burnt Offerings”, Flight I, (Kelli Barker body art on model Julie, with wings created by Ivhu Tribe)

Name: Kelli Barker 

Title: Flight II 

Medium: archival photographic print on canvas 

Dimensions: A1 

Year: 2023 

art print on canvas, from Kelli Barker art film “Burnt Offerings”, Flight II, (Kelli Barker body art on model Julie, with Johnson Zuze wire sculpture, Njuzu Resurrected)

Name: Johnson Zuze 

Title: Njuzu, Resurrection 

Medium: snare wire and found objects 

Dimensions: 170 cm height, 240 cm width 

Year: 2023 

Name: Johnson Zuze 

Title: Moment for Ancestor Worship (In memory of mentor and mother, Helen Lieros, Gallery Delta)

Medium: snare wire and found objects 

Dimensions: 100 cm height, 200 cm width 

Year: 2023 

Name: Johnson Zuze 

Title: CHEUKA! Bird or Bottle? 1 

Medium: snare wire and found objects 

Dimensions: 30 x 30 cm 

Year 2023 

Name: Johnson Zuze 

Title: CHEUKA! Bird or Bottle? 2 

Medium: snare wire and found objects 

Dimensions: 30 x 30 cm 

Year 2023 


PS: Some of my supporting sketches/art works, created in preparation for the art fair but not displayed within the physical space constraints of the Art Fair, are noted below,

Lin Barrie sketch, wings of wire….

Lin Barrie, Wings 1 and 2 (diptych) Acrylic/oil pastel on loose canvas, (30,5 x 40,6 cm each)

Lin Barrie, Flight 1 and 2 (diptych), Acrylic and oil pastel on acrylic paper, (30,5 x 40,6 cm each)

Lin Barrie, Blue Man, Wings of Wire 1, monoprint, Mixed media on brown craft paper, 64 x 91 cm

Lin Barrie, Blue Man, Wings of Wire 1, monoprint, Mixed media on brown craft paper, 64 x 91 cm

Lin Barrie, Blue Man, Wings of Wire 2, monoprint, Mixed media on brown craft paper, 64 x 91 cm

Lin Barrie, Blue Man, Wings of Wire 2, monoprint, Mixed media on brown craft paper, 64 x 91 cm

Lin Barrie, Chrysalis 1 and 2 (diptych), Acrylic and oil pastel on acrylic paper, 40,6 cm x 30,5 cm..

Lin Barrie, Chrysalis 1 and 2 (diptych), Acrylic and oil pastel on acrylic paper, 40,6 cm x 30,5 cm..

Lin sketching and Johnson twisting wire…..!

Johnson Zuze at work, Moment for Ancestors and Lin sketch 2…

Lin Barrie, Moment for Ancestor Worship 1, monoprint,

mixed media on brown craft paper, 45,5 x 32 cm …

Lin Barrie, Moment for Ancestor Worship 1, monoprint, mixed media on brown craft paper, 45,5 x 32 cm …

Lin Barrie, Moment for Ancestor Worship 2, monoprint,

mixed media on brown craft paper, 45,5 x 32 cm ….

Lin Barrie, Moment for Ancestor Worship 2, monoprint, mixed media on brown craft paper, 45,5 x 32 cm ….

We invite viewers to :

CHEUKA! Notice! Look, Look and Look Again!

and as a parting PostScript:

We got ‘noticed’ with our tongue-in-cheek art statement at CHAF, as we emulated ‘Comedian’, a famous (infamous) international art assemblage, by taping our whole spare lunchtime banana plus a used banana skin, to the wall of our booth…..

The used skin especially fitted our Chaf ‘flight’ theme very well, as it looked ready to fly off the wall….

We used double sided art tape generously donated by Bepa Gallery in the cause of ART

Many viewers and especially children asked piercing and pertinent questions about the banana,

…. some requesting that they could consume it … and indignant that it would cost a lot to eat….)

Kelli wanted a bite…
but sadly I had to deny her as she refused to pay …

Comedian is a 2019 conceptual artwork by the Italian artist Maurizio Cattelan. Created in an edition of three, it appears as a fresh banana duct taped to a wall. Cryptocurrency entrepreneur Justin Sun, after spending $6.2m on artwork featuring a banana duct-taped to a wall, then proceeded to eat the fruit.

Cheuka…

Look, Take Note;

What is ART after all?!

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Take Note! Look! Cheuka Harare Art Fair (CHAF) 2025

Cheuka is a Shona word that refers to the observation or noticing of both tangible and intangible things that surround us.

Look; the act of noticing, noting, remarking, or observing; observation by the senses or intellect; cognizance;

Cheuka Harare Art Fair (CHAF). This inaugural art fair, a brave artist-led initiative, (held 27 February 2025 to 1st March 2025 at the Andy Miller Hall, Harare Showgrounds), is the ongoing brainchild of Admire Kamudzengerere, Wallen Mapondera, Merilyn Mushakwe, and the first curator of the art fair is Laura Fungai Ganda.

Cheuka Harare Art Fair
Merilyn and Laura, teamwork at Cheuka, with Wallen and Admire (not pictured)

Having recently visited FNB art fair in Johannesburg, and on looking back at the more recent experience that was Cheuka Harare Art Fair 2025 as I belatedly write this blog, I am doubly impressed that CHAF’s programme, the first of its kind in Zimbabwe, boldly presented itself with a refreshing, almost naive enthusiasm, flying in the face of some concerned opinions that the organizers might not be able to pull off this brave inaugural offering!

At CHAF we saw teamwork and creativity, with well considered layouts of booths, light and art….each booth containing a diverse offering of thought-provoking art.

It’s turned out to be interesting to write this blog on CHAF after my experience at FNB art fair.

From FNB, second year running, I came away more subdued than after FNB 2024. Feeling uninspired, even unfulfilled, by the offered art and also wondering how many of those people who attended FNB actually looked at the art, actually read the artist manifestos or Gallery statements- lots of selfies and sipping of wine though!!! (Having said that, a positive highlight of visiting FNB was in attending the extra art itinerarys organised by Capital Art and Soul Traveller Tours as per this photo- more about those wonderful experiences in my forthcoming FNB blog…)

But, back to my focus for this blog … back to CHAF, Cheuka Harare Art Fair, where the booths and art came together with generous collaboration by the organizers and all artists, each helping the other to erect and hang boards and artworks to present a united art display. Even luminaries such as Tapfuma Gutsa popped by our Burnt Offerings Collective to lend a hand in placing and hanging Johnson Zuze’s “bottle birds”!!! So appreciated thank you Tapfuma. Somehow, on an extremely limited budget, with much goodwill, generosity and the expertise of Mr Gweshe; amidst the lending of hammers and donations of nails, (in true Zimbabwean style), the show pulled itself together! A tribute to the vision of the organizers.

Established artist Tapfuma Gutsa attended CHAF

CHAF embraced a vibrant showcase of Zimbabwean art, bringing together a diverse selection of galleries, visual artists and collectors. In some cases enthusiasm more than compensated for some lack of professionalism – in fact that even added to the experience of viewing genuine effort, engaging with heartfelt artists offerings, not a polished manicured experience but an art experience with body and fibre to chew on.

Cheuka provided a platform for both established and emerging artists to present their works. Painting, performance art, sculpture, digital art, and installations, plus thought-provoking panel discussions, reflected art trends and challenges in the Zimbabwean art landscape. 

The Cheuka manifesto, ‘noticed’ by Johnson Zuze….

The Cheuka manifesto, with Johnson Zuze noticing…!!!

Opening remarks were by Raphael Chikukwa, Director of the National Gallery of Zimbabwe…….

Raphael Chikukwa, Director of the National Gallery of Zimbabwe at Cheuka

Exhibitors:

Animal Farm (Admire Kamudzengerere, Tanyse Van Vuuren)

Post Studio Arts Collective (Merilyn Mushakwe)

The Mapondera Collection (Peggy Mapondera)

Gallery 33.0 (Laura Fungai Ganda)

Chitungwiza Artists Collective

Mbayiwa Studio (Hugh and Lionel Mbayiwa)

Munwahuku Collective/Hukuimwe Collective (Tapfuma Gutsa)

Wailers Studio (Sky Salanje)

Tarisa Studio, (Gareth Nyandoro)

Burnt Offerings Collective; Lin Barrie, (paintings, fibre art, and installation art) Johnson Zuze (wire and found objects art) and Kelli Barker (painting, make up and body art, film)

Nhaka Gallery

Bepa Gallery (Jo Powell and Josefina Pierucci …)

catincatabacaru ?

A medley of Gallery flyers from some of the participating galleries, and some of my own photographs, such inspiration at every turn….

Gallery 33.0 at Cheuka…

Gallery 33.0 at Cheuka

Wonderful Fibre Art at Gallery 33.0…..

Fibre Art at Gallery 33.0…..

Bepa Gallery at Cheuka…..

Bepa Gallery at Cheuka

Bepa Gallery art booth….

Come on in…. Welcome!…Bepa Gallery art booth

Nhaka Gallery at Cheuka….

Wailers Studio (with Sky Salanje)

Wailers Studio

Tarisa Art Studio….

Tarisa Art Studios manifesto

Wilfred Timire, love this collage work…

Burnt Offerings Collective, (Lin, Johnson and Kelli), at Cheuka

Johnson Zuze wire and fond objects artist, with Burnt Offerings Collective at Cheuka

Burnt Offerings Collective, founded 2023, was honoured to exhibit at Cheuka..

Kelli Barker, Film, body art and painting, with Burnt Offerings Collective at Cheuka

Cheuka Burnt Offerings collective viewed by George Masarira….

Lin Barrie, Look, Look Again; Emergence, diptych, monotypes, acrylic and charcoal on brown paper, 91 x 64 cm each painting size, (larger with glassed frames) Year 2023 with George Masarira

And our art booth was visited by Zimbabwean writer, master wordsmith Tinsashe Muchuri –

Master wordsmith Tinsashe Muchuri-

Post Studio Arts Collective, vibrant layers of art….

Post Studio Arts Collective at Cheuka

Pardon Mapondera creates powerful cultural symbols from mayonnaise jars; are these traditional lamps with wicks to illuminate our stories? Or fuses ready to ignite elemental questions in the minds of viewers?! Mentioned in Art Re-View Zim by art writer Nyadzombe Nyamapenza..

Pardon Mapondera creates powerful cultural symbols from recycled mayonnaise jars;

Mbayiwa Studio, Hugh at Cheuka….

Hugh at Cheuka

a CHEUKA movie

The programme….

Thursday 27 Feb 1200-1400: VIP Preview/1400-1900: Public Preview

Friday 28 February 1000-1900: Public Preview and panel discussions:

1200-1300: Building an International Career (Moderator; Vongai Sibanda)

1500-1600: Artists Run Spaces as a Breeding Space for New Generation of Artists in Zimbabwe. (Moderator: Laura Fungai Ganda)

Saturday 1 March 1000-1630: Public Preview and panel discussions:

1200-1300 Contemporary African Art and its place on the International Art Market

Parallel spaces that provide alternative options and recycling, an Art Conversation by Admire Kamudzengerere, Isra El-beshir and Prof. Sandy de Lissovoy, moderated by Moffat Takadiwa…….

art discussion _Parallel spaces that provide alternative options and recycling, Conversation by Admire Kamudzengerere, Isra El-beshir (Washington and Lee University Museum) and Prof. Sandy de Lissovoy, moderated by Moffat Takadiwa

1500-1600 Art panel…Collecting and Art Patronage, investing in Art….

art discussions with Marcey Mushore, Peggy Mapondera and James, (Jimmy) Saruchera and Plot Mhako

Kelli Barker and George Masarira participating in the panel discussions…

Here is a video of Chitungwiza Artist Collective at Cheuka…

Mbayiwa Studios and Burnt Offerings Johnson Zuze wireworks video…

So you’ll see in that previous video an image of Johnson Zuze’s wire and found objects artwork “Memory of the Ancestors”, a tribute to the late Helen Lieros of Gallery Delta, (now Nhaka Gallery). Here is a close view…..

Johnson Zuze “Memory of the Ancestors”, wire and found objects artwork

Video, animal farm artist residency printmaking….

my photos of the varied and powerful art booths ….

here is a detail from one of my favourite paintings, Admire’s mermaid… last seen at his solo show at the National Gallery…

Mermaid…. Admire Kamudzengerere


Powerful Cheuka performance art by Nothando Chiwas, taking water and earth…to create mud, kneading into the soil… The mud being elemental connection to the earth, memory….here is a collage of the performance art, photos taken from Chaf2025 Instagram

performance art by Nothando Chiwas, taking water and earth….. (Photos credit CHAF 2025)


Before smearing soil on her body, Notie laments the travails of the earth, I see her as dragging a heavy load of consumerism behind her, teetering in high heels and construction helmut…..bringing to our gaze the recognition that we need to connect with and protect the land. (Looking on are Michele Sandoz, Admire (Nhaka) and Julia Mama….)

More photos to come as they are edited, meanwhile we can’t wait for the next iteration of Cheuka in 2026!!

As an added thought, traditional zimbabwean food available at the Harare Showgrounds during the art fair was truly delicious, local and healthy, for those in the know…..chicken, goat, millet, sorghum…. (and gluten free!!)

YUM! Johnson Zuze enjoying traditional food at CHAF

Cheuka…Take Note!!!

Whilst this blog took me so long to publish, it was actually fortuitous in that I could compare the larger FNB art Fair which I recently attended, and which truly emphasised to me what a great initial effort the Zimbabwean CHAF was – such a vision of Zimbabwean hope and creativity.

The format of CHAF, small but smart and powerful within a limited budget, was truly a winner which got people’s attention !!

Quality not quantity – and dedicated visitor interaction with galleries and artists on display. Thank you, CHAF 2025

Sponsors of Cheuka Art Fair : FedEx, Zimbabwe German Society (Goethe Centrum), Koovha, Mastreetz, JOINAI, ekt Studio, Hunting Lion Security, Denga Visuals, Animal Farm, Post Studio Arts Collective

All photos taken by Lin Barrie unless otherwise credited.

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Forever Young, Always Present; the Eternal Embrace of the Chilojo Cliffs and Gonarezhou…

Friday 25th July, the beginning of Kelli’s birthday weekend at Kaya Nyala, and we set off on a full day Chilojo Cliffs expedition. Celebrating birthdays and also celebrating lost loved ones.. beginnings and endings…. cycles and circles of life…

Driving over the Save River below our homestead Kaya Nyala, the beginning, the sunrise, promises a beautiful day ahead..

Family and dear friends, we are well wrapped against the winter chill in an open Chilo Gorge Safari Lodge vehicle.

We begin the expedition with a mighty baobab near Tembahata Pan. This mammoth is the iconic Hunters Baobab, (sometimes called Shadreck’s baobab although that famous ivory gatherer used certain other baobabs shown to Clive much more regularly). Home not only to errant hunters historically, but also to birds and bees and orchids,…

An amazing portal dug by elephants in the fibre of the great tree, topped by the pockmarks of generations of honey gatherers’ pegs, is like a window into another world, an open invitation to pythons, mambas and leopards to take refuge, and a receptacle of stories upon stories in this more than thousand year old tree.

Our journey continues past Tembahata Pan, where invisible submerged hippos and crocodiles are waiting for the early morning sun to warm the waters…

The Chitove crossing over the Runde River brings us a lone wild dog wandering in the open sand, who calls plaintively as he trots effortlessly away from us and up the bank, to where we can hear his pack mates answering him, echoing hoooo hooo hooo calls from three or more wild dogs floating on the early morning air.

We cross the Runde River and climb climb climb up the escarpment of the cliff road, and a stately giraffe sees us on our way ….

Reaching the high plateaux of the cliffs, we pass a cheetah kill, a leg of a duiker, and carcass surrounded by vultures, (identified by Clive) near Chidlambani Pan.

Ground Hornbills fly past our moving vehicle, always an inspiration for me to paint these majestic birds, black and white poetry in flight….

At last we reach the viewpoint, the roof of this lowveld world buttressed by the beige and pink striped sandstone of the Chilojo Cliffs…. with views forever over the ribbon that is the Runde River

And as we walk along the face towards the pinnacle, Black Eagles, a pair, soar silently alongside us ….

Glenn Stockil, African Black Eagle (Aquila verreauxii) Chilojo Cliffs, Gonarezhou
Black Eagle video taken by Rich Pereira

Uplifted and grateful, Kelli sets free memories of our dear friend Bob high above the Runde River below, Bob who travelled here years ago on a camping safari with us and his wife Belinda …..

And then a tribute to my father Arthur Barrie and my brother Steve Barrie, as we remember and honour them in this, one of their favourite wild places that they shared with us… cherished memories…

In memory, at Chilojo Cliffs….black eagle photos by Glenn Stockil and Rich Pereira…

Overflown by the magnificent black eagles, we are humbled and awed as I read out dear friend Rolf’s poem that he wrote specially for this occasion…

We all in spirit will be there.

Perhaps Black Eagles in the air?

Their time had come,

don’t ask me why.

They’ll wing their way 

into the sky

where eagles fly

and stars are nigh.

Until we’ll meet again,

Goodbye!

Rolf Chenaux Repond

Leaving this high wild place in the care of the eagles, we descend to the floodplain beneath the cliffs and a stately gentleman, a kambako, sees us on our way,

Arriving at Chilojo Picnic site, and looking upwards, we view the site of Steve Gramps and Bob’s memorial atop Chilojo Cliffs, an apt and noble place from which to explore eternity…

As we drive homewards through Gonarezhou at dusk, twin baobabs on Baobab Ridge, haloed by golden rays, catch my eye and seem to echo Dad and Steve’s grounded love of all things wild, their branches, their arms, outstretched to each other in vibrant appreciation of nature.

And yet further along that baobab filled ridge, another three baobabs fill my vision as if on the Hill of Golgotha; Dad, Steve, and Bob; sentinels and witnesses to hope and light eternal, under that deepening, darkly hopeful African sky,

Special memory of Steve as well, with Save river sand in a a clay pot, saved for dear close friends to take to Chitake later this year, his favourite place of all time!

Clay pot from Mahenye, Save River sand and memories of special times with Steve on that river.. at Chilo and in Gonarezhou
The Chitake baobabs where memories of Steve will also be revered

All photos are by Lin Barrie unless otherwise stated.

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Budula Dance Festival 2025; Dancing with Community at Boli-Muhlanguleni….

Building Sustainable Connections, Budula being an active, well used pathway.

The Budula Festival 2025 is spearheaded by the Mahlanga Trust, focusing on Dance. A budula is an active pathway, a corridor, and so is an apt title, considering the transboundary collaborations we are engaged in as the Greater Limpopo Transfrontier Conservation Area, (GLTFCA). Building corridors and connections between communities and National Parks/wildlife areas within Zimbabwe and neighbouring Mozambique and South Africa. Focusing on actively sharing the unique Tsonga culture with other cultures, cultural practitioners and visitors from southern africa and from further afield.

The Mahlanga Centre at Boli- Muhlanguleni, Chiredzi, Zimbabwe, was the venue for a day long Tsonga xibelani dance celebration, Mahlanga referring to the confluence, the meeting, of the rivers bounding the three countries Zimbabwe, Mozambique and South Africa.. a confluence of cultures, a confluence of conservation,  a confluence of communities, a collaboration of cultural and conservation knowledge.

mapmaker Professor Walter Musakwa

The day before we arrived to settle into our home-from-home, a very comfortable Mahlanga Mafundza Homestay accomodation within the Boli Village, and to plan the layout of our display stands and met with vibrant local organizers who were busy planning their own contributions

End of that planning/setting up day, we all wound our way, weary but happy, into the golden african dusk, to find our respective village beds for the night….

Then came the actual day of the Budula Festival… a sunny Zimbabwean Winter day, on 21st June, as we arrived early and exhibitors set up many inspiring displays in preparation for sharing a day of Dance, Music, Art, Conservation and Indigenous foods.

Xibelani skirts, of salampore fabric beaded in intricate patterns, swayed and shimmied as Kambako (Malilangwe) ladies celebrated their arts culture and beading display ….

Indigenous foods were fully appreciated on the wonderful Mwenezi Development Training Centre traditional food exhibit, and the local Lirhandzo School served fresh granadilla juice, as vibrant Lister Matsilele helped to compere the event….

My art display was partly themed “Dancing with Elephants”, (sited aptly next to the GCT and African Wildlife Conservation Fund display…. ) and reflecting on the challenges that communities face in co-existing with wildlife. Conservation and Culture collaborating …

Chief Gezani visited our displays, chatting to Clive Stockil about my art installation, “Caged Culture”..

Lin Barrie, art installation, “Caged Culture”… do we protect it, display it or hide it? What is culture after all if it is not celebrated and growing?!….. my art installation is a woman “under wraps” which can be pulled aside to reveal a clay pot (a beating heart) topped by beads and resting on a hata of totemic giant snails, all encased in a corset, (a torso) of a salvaged wire birdcage. A chibabela beaded dance skirt sways beneath atop wooden legs ..

Lin Barrie, art installation, “Caged Culture”

Masvingo Teachers College provided a shona guest dance group display to start the proceedings….

Of course the MOST IMORTANT events of the day were the xibelani dance teams, (celebrating womens’ dance and dress), eight Chiefs/headmen from the surrounds of Gonarezhou submitted their ladies dance teams to compete. The variety and style of xibelani on show was vibrant, truly joyous.

1. Chief Mpapa…

2. Headman Ngwenyeni …

3. Chief Chilonga….

4. Chief Masivamele 

5. Chief Tshovani ….

6. Chief Gezani 

7. Chief Mahenye….. Magulegule – girls initiation dance, with kaolin painted body art…

8. Chief Sengwe

With wraps … (photo Sabine Baumann)

and here are Chief Sengwe’s dancers unwrapped!!!!….

Chief Sengwe dance group (photo Sabine Baumann)

Chief Gudo, adjacent to the Save Valley Conservancy, provided a guest dance group…

 

Mahlanga Trust chairperson, Gift Machukele, and Guest of Honour Professor Never Mubuko (representing the Director  General of Zimparks, Prof. Edson Gandiwa), present a Community Merit Award of Thanks from the honourable Chiefs of the area, to GCT co-founders Hugo and Elsabe Van Der Westhuizen 

Guest of honour Professor Never Muboko, representing Professor Edson Gandiwe, DG of ZimParks

Prizes went to:

  1. Chief Tsovani dance group.
  2. Chilonga number 1 dance group
  3. Sengwe dance group

List of Exhibitors at the Budula Festival Launch 2025:

 1. National Museums and Monuments

 2. Econet Zimbabwe

 3. Kingdom Blue Funeral Services

 4. Nyaradzo Funeral Services

 5. Agritex

 6. Mahlanga Cultural Village Group

 7. ZIMRA (Zimbabwe Revenue Authority)

 8. ZimParks (Zimbabwe Parks and Wildlife Management Authority)

 9. Gonarezhou Conservation Trust

10. Takaza Driving School

11. Joshua Mqabuko Technical College

12. Marondera University of Agricultural Sciences and Technology

13. Frankfurt Zoological Society

14. Lin Barrie Art

15. Mwenezi Development Training Center

16. The Malilangwe Trust

17. Reformed Church University

18. Masvingo Teacher’s College

19. ZBC TV

20. National FM

21. Lirhandzo School( Mrs Schimper)

22. Chiredzi RDC 

23. African Wildlife Conservation Fund (AWCF) ..Here we see Rueben, chief field manager of AWCF with delightful paper mache sculptures of endangered wildlife created during outreach programmes by schoolchildren from around the Gonarezhou National Park…

Some media present were:

Auxeni Radio Station, ZBC, (who captured great action as people danced along)!…..

ZIMFM, Lowveld Media Trust, plus Kalai Faye Barlow, of Obscura Media seen here capturing the moves of Chief Tshovani’s dance team…

Dillon Ward – styling in a goatskin skirt at Budula….

Kelli Barker, make up artist, enjoyed the day, the colour, the people…

Beautiful ladies and fashions were in abundance …

Donors such as Gonarezhou Conservation Trust (GCT), Malilangwe Trust, Shangani Hunters and many many others committed towards making a success of the Budula Dance Festival, creating a Budula, a strong path, for the festival to move forwards in future, empowering TFCA communities in conservation of wildlife and conservation of culture.

Title: Wa Ni Bela Tingoma, by DJ Hope was the theme song for many of the dances.

Admirable conservation concepts in this lowveld transfrontier area, such as Peace Parks, Boundless Southern Africa, Campfire, Malilangwe Trust, Save Valley Conservancy, SatWild, Kruger2Canyon and others, are Connecting Corridors between wildlife areas and communities, going far to help address challenging community and wildlife issues…..

Art, Music, Fashion and Dance, a vital expression of humanity, can also play a part, can be a catalyst for conservation, for communities to express innovative ways of adapting to human wildlife challenges, creating dialogue and collaboration.

Collaborations and connections through cultures.. gorgeous girls Lister and Sabine Baumann (photo Sabine Baumann)

. My personal ongoing art journey over the last years, and onwards into 2026, is in investigating Dance, Movement and Music, as an abstract and figurative expression of the human psyche and culture worldwide , and most especially at the intersection of our xangana culture and other world cultures.

My art practice currently is themed around DANCE- dance across cultures.. collaboration across borders. “Caged culture” needs to be shared!

My art display at Budula Festival partly focussed on “Dancing with Elephants”… the co-existence of communities living with wildlife…. in this vast area encompassed by ‘Gazaland’, the Greater Limpopo Transfrontier Conservation Area (GLTFCA).

Forward plans into 2026:

In the Sengwe corridor, part of the GLTFCA, plans are afoot to collaborate with Midlands State University (MSU) in the creation of a cultural museum –watch this space!

Mahlanga Board and representatives from Midlands State University, Chief Mpapa, and Chief Gezani have met to discuss the establishment of an inclusive Vatsonga cultural village and museum, referred to as the Culture and Heritage Park. Midlands State University will take the lead in designing this park, with a proposal set to be presented to district stakeholders in November 2025.

The Culture and Heritage Park will be instrumental in the Mahlanga Centre’s commercial partnership initiatives and Boli, Muhlanguleni, serving as the primary draw for visitors.

It is planned to showcase the cultural village and museum at the upcoming Budula Festival 2026.

Meanwhile, the day after the Budula Festival 2025 and back to business as usual, visiting friend Hebert Phikela at his chilli field.. at Boli..

and heading homewards over the Chilonga Bridge…

The end of Budula Festivsl 2025, but we’ll keep dancing …

And dancing…

And dancing …young and old alike…

All photographs and opinions are mine unless otherwise stated

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Dancing with Elephants; Culture and Community, Elephants and Dance inspire my art practice….

Tsonga/Xangana (Changana) Culture; Dance, Mucino.

The Xangana/Tsonga people of the south-eastern lowveld of Zimbabwe, and into adjoining South Africa and Mozambique, are the proud owners of strong social traditions, and a unique and vibrant culture.

The Budula Festival 2025, will be held at Boli-Muhlanguleni, (Chiredzi RDC). 

Lin Barrie, Budula Festival flyer, “Dancing with my shadow, Dancing with Elephants, or Dancing Alone?!” from my original artwork was on canvas.

The elephant in the room… shall we dance together, to our common good, embracing biodiversity?!…. or do we dance alone, failing in our quest for inclusion of cultures, conservation of communities.

Lin Barrie, elephant sketches, and “Dancing with my Shadow, Dancing with Elephants, or Dancing Alone?!”

The inaugural Budula Festival, scheduled for June 21st, 2025, in Boli/Muhlanguleni, Chiredzi, Zimbabwe, will attract community members, regional officials, and stakeholders from the Great Limpopo Transfrontier Conservation Area (GLTFCA), encompassing Zimbabwe, Mozambique, and South Africa.

The Budula Festival, derived from the Shangani (Tsonga) term meaning “active pathway”, represents a rebranding of the Great Limpopo Cultural Trade Fair to connect communities across borders within the GLTFCA. It will serve as a platform for communities, (focussing in 2025 on women’s dance, on women, youth and children), to exchange valuable insights on livelihoods, wildlife conservation, and climate action initiatives. Activities will include the Xibelani dance show, Community Merit Awards, and innovative exhibitions on pressing issues like climate change and human-wildlife conflict. 

Xangana people celebrate their culture in various ways and one of the most important is in the realm of dance, kuchina, and of course, dance attire, dance fashion; and this is what the Budula Festival will focus on with regard to women in particular, in 2025….. 

Dance! (Kuchina/Kucina)…. My own general interest in culture and dance, worldwide, and cross culture collaborations, is growing into a body of artwork along the theme of dance, men and women. Here are two tsonga dancers (whom I painted after meeting them years ago on a cross border cultural expedition linking the Peace Parks of Southern Africa, Boundless Southern Africa, with Kingsley Holgate, to Crook’s Corner, on the banks of the Limpopo and Luveve Rivers…in celebration of the formation of the Greater Limpopo Transfrontier Conservation Area, (GLTFCA)

Tsonga Dance, at Crookes Corner, 2010, while Zim Parks, Kingsley Holgate and Clive Stockil discuss the Transboundary Peace Park concept for the GLTFCA. Lin Barrie, Tsonga (xangana) dancers, oil paintings, 2018……..with close up detail of the beads around the lady’s waist, stitched onto my canvas….

My sketch, (at Boundless Southern Africa Expedition, 2010, celebrating Peace Parks) ….a dancer at Crooks Corner, the junction of the Limpopo and Luvuvu rivers, bordering Mozambique, South Africa and Zimbabwe; 

Lin Barrie, ink sketch of a tsonga dancer at Crooks Corner,

Some History: culture and communities; transcending manmade borders..  

In a landscape referred to as Gaza, the Xangana/Tsonga/Hlengwe peoples cover a vast region, stretching, irrespective of manmade borders, from south eastern Zimbabwe through to coastal Mozambique and into northern Kruger, Makuleke, and all the way through Louis Trichardt to Pretoria and Johannesburg. .

A rich history pervades this Gaza area, from the original peoples who painted evocative rock art, to the Zulu heyday of King Shaka, to the banks of the Limpopo, the court of Mzilikazi, beyond to Great Zimbabwe, the Zambezi river, and eastwards to the Indian Ocean, to legendary Johannesburg, Egoli, (the city of gold), Jozi, Joni…a melting pot of African and world culture from the wild days of the initial gold and diamond rushes, resulting in the recruitment of thousands of willing, (and unwilling!), mine labourers, drawn from the far reaches of the southern African hemisphere. Joni is the name that rings true for us at Mahenye, for the fact that our Hlengwe people in Mahenye and Gonarezhou area ‘joined’ up with recruitment teams to trek to Johannesburg/Pretoria and work the mines, hunting each for his own pot of gold, even if that meant only eventually earning enough to buy a cardboard suitcase and a bicycle with which to traverse homewards through the inhospitable and arid wilderness of Gonarezhou, to eventually return triumphant to the family village, (wild animals, footpads, fever and thirst allowing.… )

Xichangana/xitsonga is a term referring to the language. Hlengwe is the dialect spoken in our own area, where we live – Chief Mahenye’s village. Xangana (Machangana), is referring to the people. Much debate arises over correct use of these terms, making for endless, often heated and always animated discussions, around campfires (maxuxo) and in offices alike!

Background

Yearly, various Xangana (tsonga/hlengwe) cultural festivals have been hosted by the Chiefs surrounding Gonarezhou National Park… on the ‘contact zones’, where Gonarezhou National Park wildlife and adjacent xangana communities co-exist.

One major festival was called “The Great Limpopo Cultural Trade Fair” – this was the flyer for 2016, ably spearheaded by Hebert Phikela, of the National Arts Council.

The Great Limpopo Cultural Trade Fair 2016

Here below is history of some of those festivals, embracing the culture, and supported by the Gonarezhou Conservation Trust (Frankfurt Zoological Society and Zimbabwe National Parks) , Malilangwe Trust, National Arts Council, rural district councils and Chilo Gorge Safari Lodge, Mahenye Charitable Trust. Originally being called the MaChangana (Shangaan) Cultural and Arts Festival (MCAF), the Xangana (MaChangana) Chiefs of the south east lowveld, custodians of the Xangana culture, have, through various committees over the years, organised the MaChangana Culture and Arts Festival (MCAF). Held yearly in different areas around Gonarezhou National Park, part of the Greater Limpopo Transfrontier Conservation Area, (GLTFCA), the organising committees have included Hebert Phikela, Headmen, Kraal heads, Local MP’s, Councillors, members of the Xangana community and select women from each of the Chiefs councils. ………

The MaChangana Culture and Arts Festival, 2010, at Chief Sengwe’s Village

The MaChangana Culture and Arts Festival, 2011, at Chief Tshovani’s Village. 

The MaChangana Culture and Arts Festival, 2012, at Chief Mahenye’s Village. 

The MaChangana Culture and Arts Festival, 2013, at Chief Gudo’s Village. 

The Great Limpopo Cultural Trade Fair, 2016, Muhlanguleni

Dance teams from Mozambique and South Africa have travelled to these festivals, sharing their talent with Zimbabwean dancers, a wonderful continuance and cross pollination of cultural heritage; embracing modern ideas and media, to create vibrant culture that respects the best of tradition but also moves forward with the times, gaining relevance with young people by so doing.

Indeed, children relish joining in with the dances, together with their mothers and fathers, their grandparents, old and young alike…

children embrace the dance, joining in with their elders…

My painting/beaded monoprint of a Mozambican dance team who joined us a few years ago at Chilo Gorge Safari Lodge for an evening of dance and cultural collaboration…my stitched undulating beadwork trying to capture the ‘waves’ of music, the ‘resonance’ of culture.. 

Lin Barrie, ”Dancing with my sisters, dancing with my cellphone”, mixed media and beading on canvas, 3 x4 feet, with my photo of cowhide drums, (ngoma) and kuduhorn, (hwamanda).

Dancing with my sisters….my poem

My sepia ink sketch of a  young Mozambican woman, who recovered and rested on her huge cowhide drum while the Mahenye Muchongoyo team danced….

Lin Barrie, sepia ink sketch of a  young Mozambican woman, who recovered and rested on her huge cowhide drum while the Mahenye team danced…..

The Muchongoyo dance troupe from Mahenye, (photo 2010 at a festival..) The men are wearing cowrie shell headbands, baobab fibre fringes, goatskins, porcupine quills… 

Mahenye Muchongoyo dancers…wearing cowrie shell headbands, baobab fibre fringes, goatskin, porcupine quills…

Living in the Mahenye community, I have experienced many dances performed in the daily life of the community, and at festivals. Such as the dances of mixed men and women, Muchongoyo, and others called Chokoto, Marula, Chinyambela and Chigubu.

I have been honoured to witness men’s Ngomeni initiation dances, such as these seen at a festival 2007..

Ngomeni dance, (Dave Brazier photo)

And here we see women leaping in celebration of the initiates at an Ngomeni held in Chef Tsovani’s village years ago…

wives, sisters and mothers dance celebrate the coming-of age of their husbands, brothers and sons
(CLIVE STOCKIL PHOTO)

In general dance, a kudu horn, hwamanda, is treasured as a lead musical intrument, as are wood and skin drums, ngoma. Musical wind and string instruments, Tingoma, Chizembe, Chitende are still made. 

Mahenye dancers and Kudu Horn, (Hwamanda)

Ladies and men enjoy the piercing sound of tin whistles to lead their dance troops; and men and women wear hollow indigenous gourd leg rattles….. 

gourd leg rattles

Young children learn the choreography, the tradition, loving to dress up and dance with their elders….a rare continuation and celebration of culture and identity, a precious gift in this fast paced modern world……… 

child dancers in the wings !

In general dance, Ladies wear the traditional Chibabela skirts, with mutiple strands of twisted beads wrapped around their hips and adorning their necks.  In Mahenye these are made using Salampore – striped woven fabric from India…

Tibabela , dance skirts…

In Northern and Eastern Gonarezhou, (including Mahenye area), “Tibabela” are deeply gathered and heavily beaded skirts, worn under bright tsonga (chimatsatsa) wraps and displayed when dancing or for special occasions. Seen at festival, 2010. 

“Chibabela” are deeply gathered and heavily beaded skirts, worn under bright tsonga (chimatsatsa) wraps

Because of the weight of the beads, these chibabela skirts sway when walking and flare out when dancing to create an energetic and mesmerising effect. They are made from traditional Indian striped, woven “Salemporefabric and glass seed  beads. A strong tradition of using salampore fabric and glass seed beads for decorating skirts is still maintained.

The beads and fabric reflect the long history of ancient Indian Ocean trade, with Arab and Indian dhows sailing up and down the east coast of Africa. …..

Blessing Runodada and , setting sail with their beaded skirt samples

Seed beads are also much used for necklaces and headdresses. Older men and women wear earrings, with large holes in the earlobes, but this is less common than in the past. 

Here is a treasured, vintage chibabela skirt; well-worn, lovingly patched, and heavily embellished with glass seed beads, imparting a swing while walking…. 

Tradition traction, tradition in action …

A delightful blend of coloured stripes, salampore and other Xibelani fabric and glass seed beads are readily available and popular, through a few steady suppliers who import the fabric from India, no longer by dhow, but by more modern means!… (such as Khojas Modern Store in Loius Trichardt..)

My Salampore fabrics in glorious colour…beaded by Mahenye ladies…. 

The Tsonga skirts, xibelani, found in Western Gonarezhou and into northern Kruger, tend to be blocks of colour, embellished with gorgeous twists of beads around the waist..(as seen in this lovely photo from Hebert Phikela), a pleated ensemble worn by his daughter near Chipinda Pools, North/western Gonarezhou. 

Hebert Phikela, daughter’s xibelani skirt

The Zimbabwe flag flies as the dance continues…

dance festival and zim flag,

Some tsonga skirt styles are created with multiple rag strip/tufted dancing skirts, seductive strips of swaying fabric….

dancer with fringed fabric skirt

I have witnessed Komba initiation dances, celebrating the traditional initiation rites for girls becoming young women. (note: no genital mutilation is practiced, girls merely spending weeks secluded with trusted ‘aunties’ and mentors who verse them in the mysteries and also practical ways of becoming women…)

The Komba dancers from the southern end of Mahenye Village, (the Uketi area of Mahenye), dance wearing rag strip tufted dancing skirts, and kaolin painted faces and bodies, and the dance is traditionally called Magelegele.

Here, young girls at Mahenye, emerging from Komba, dance with painted faces,

komba initiation; women mentors with girl dancers wearing rag strip tufted dancing skirts and kaolin body and face paint

Distinctive fringed/patchwork type fabric skirts… here seen on the iconic Chief Gudo’s dance team…

Gudo team dancers with fringed fabric skirts

Some tsonga skirts use spectacular pompom-type layers of wool…all spectacular according to the tradition and creativity of the wearers…here are multiple skirt styles, seen all dancing together at a festival… 

a variety of styles…the dancing begins….

These cultural fairs and gatherings maintain the traditions and culture of the Xangana people, promoting this unique culture amongst the youth and ensuring that this heritage be passed on to future generations. 

The Budula Festival 2025 is spearheaded by the Mahlanga Trust, and will focus on Dance. Will focus on building corridors and connections between Xangana communities within Zimbabwe and neighbouring Mozambique and South Africa. Will focus on actively sharing their unique culture with other cultures, cultural practitioners and visitors from southern africa and from further afield.

PS: The CCDI Trust, what was The Centre for Cultural Development Initiatives, is now renamed as the Mahlanga Trust, referring to the confluence of the rivers bounding the three countries Zimbabwe, Mozambique and South Africa.. the confluence of cultures, the confluence of conservation,  the confluence of communities.

Beadwork is a strong component of xangana/tsonga fashion and traditional attire.. 

Susan Sithole with her beads

What does dance, music and the arts have to do with human-wildlife conflict?!

Communities around wilderness reserves such as Gonarezhou National Park, (‘sacred place/gona of the elephants), and Save Valley Conservancy, are living with wildlife, facing conservation and cultural challenges, literally ‘dancing’ with elephants….. 

Communities around Gonarezhou National Park and Save Valley Conservancy are literally ‘dancing’ with elephants…

Admirable conservation concepts such as Peace Parks, Campfire and Connecting Corridors between wildlife areas and communities, go far to partly address these challenging issues…..

Art, Music and Dance, a vital expression of humanity, can also play a part, can be a catalyst for conservation, for communities to express innovative ways of adapting to human wildlife challenges, creating dialogue and collaboration. My personal ongoing art journey over the last years, and onwards into 2026, is in investigating Dance, Movement and Music, as an abstract and figurative expression of the human psyche and culture worldwide , and most especially at the intersection of our xangana culture and other world cultures.

My art practice currently is themed around DANCE- dance across cultures..

Here follow four of my art moodboards, assemblages of paintings in work, focussing at present on xangana/tsonga dance themes, which I will push further into figurative expression, stitching crochet and beading, collage and abstraction in the following months;

Lin Barrie, “Dance” 85 X 180 cm, acrylic on draped loose canvas, 2024, with “Ngano and Fire”, 153 x 170 cm, acrylic on loose canvas, plus “Dancing with my sisters, Dancing with my cellphone…”, acrylic and beadwork on stretched canvas, 3 x 4 feet, 2018;

(Moodboard with A3 sketch (drums), my rag fringe art skirt 1 and community crochet twine doilies)…. 

Lin Barrie,Moodboard with A3 sketch (drums), my rag fringe art skirt 1 and community crochet twine doilies

Lin Barrie, “Clay”  80 x 180 cm acrylic and earth pigment /clay on canvas; “Water and Earth”, 153 x 170 cm, acrylic/earth pigment/clay on canvas; “Dance, Kuchina, like no one is watching”, acrylic on canvas, 182 x 218 cm – in work; 

(moodboard A3 sketches (kudu horn player and male dancer), purchased goatskin skirt and my dance art skirt painted with acrylic, khulu dye and and khulhu dyed baobab fibre fringe) 

Lin Barrie, moodboard A3 sketches (kudu horn player and male dancer), purchased goatskin skirt and my dance art skirt painted with acrylic, khulu dye and and khulhu dyed baobab fibre fringe

In my art practice, starting points always are my life sketches of people and still life, from which intense observations I can further express abstraction of my ideas, emotions, memories, into larger canvases…

Lin Barrie, Dance assemblage/Moodboard;  “Dance, abstract rhythm”, created with mutsvairo, acrylic on loose canvas, 90 x 180 cm, 2023, and  “Drum, Ngoma 1”, created with palm fronds,  acrylic and Ink on paper A3 2025.  

Lin Barrie, Moodboard;  “Dance, abstract rhythm”, created with mutsvairo, acrylic on loose canvas, 90 x 180 cm, 2023, and  “Drum, Ngoma 1”, created with palm fronds,  acrylic and Ink on paper A3 2025.  

I am inspired to distraction and abstraction by the drums, ngoma, and kudu horn, hwamanda, the elemental heartbeats and horns of Gonarezhou….of Africa.

Lin Barrie, Dance assemblage/Moodboard;   “Palm music 1”, created with palm fronds,  acrylic on watercolour paper A3, 2023, and  “Hwamanda, Kudu Horn,” diptych,  created with palm fronds, acrylic and Ink on paper A3, 2025.  

Lin Barrie, Moodboard;   “Palm music 1”, created with palm fronds,  acrylic on watercolour paper A3, 2023, and  “Hwamanda, Kudu Horn,” diptych,  created with palm fronds, acrylic and Ink on paper A3, 2025.  

Inspired by painting with collected palm fronds,  as brushes… my expression grows into a kudu horn…

Lin Barrie, Hwamanda Kudu Horn diptych Acrylic and Ink on paper A3 in work 1

I feel that Dance and dancing skirts, traditional and contemporary dance fabrics, the act of beading, stitching, fringing, bark dyeing, and of course music, are the strongest connecting threads across cultures and environments worldwide- #Fashion and #fabrics; #beads and #stitching; #dance and #music; #art and #painting; #assemblage and #collage; #traditionalcultures moving forwards creatively, embracing #communityconservation and “dancing with elephants!” #beadworkoncanvas #budulafestival #tsongaculture #xanganaculture #cagedculture let’s not ‘cage’ the cultures….

My art assemblage “Caged Culture” becomes a ‘dancer’ in its own right – with hand-beaded xibelani skirt, wooden table legs, and a wire birdcage torso enclosing jeweled totem snail shells (Humba) and hand coiled clay pot adorned with beads….

Lin Barrie Caged Culture art assemblage

LET”S DANCE!!!

All artwork and photographs are my own unless otherwise stated.….

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Chauke ChaHumba; of Fire, Giant Snail Shells and Totems..

The Chauke Cha Humba story:

The Chauke Cha Humba story, and Lin Barrie artwork

In Mahenye Village, our Chauke clan reveres the giant land Snail (Humba) , and Fire…

Snail/Fire artworks at the National Arts Council of Zimbabwe National Cultural Month Launch at Rusununguko Clinic, Zimbabwe, 17th May 2025….. and to show at Budula Festival 2025. As Burnt Offerings Collective, we exhibit my paintings and installations, Johnson’s snail theme snare wire sculptures and Kelli’s fine art photographic Fire prints from her short art film titled “Burnt Offerings”…

Snail paintings each 20 x 20 cm , mounted on chiklata-traditional reed doors

Caged Culture is the real focus – the talking point for me- my installation combines a salvaged bird cage, a traditional gathered xibelani (chibelana) skirt made from glass beads and woven striped Salampore fabric from India, a fire cured local clay pot, glass bead necklaces made by my xangana lady friends and myself, , a hata (head pad), a rickety wooden table constructed by hawkers on the side of the road, giant snail shells collected from our Mahenye area (some painted and embellished by Kelli Barker) ….

Caged Culture in our home..

Is culture a living thing- needing freedom to grow and thrive, or should it be caged, protected and insulated -will that preserve it?!

Clive Stockil and Mrs Gotore of National Arts Council discuss the artwork- flanked by Johnson’s Zuze’s Shell Wasp…

That wasp…

Is culture constrained and forgotten in a cage as generations move on and forget old ways- or can culture adapt and renew itself in innovative ways to remain powerful and relevant?!

Giant land snail shells behind bars…

The unexpected creativity of Kelli’s painted and embellished shells emphasizes the potential for creative change that culture has to embrace in order to survive…

Snail Shell on Fire …..!!!

The painted and jewelled Snail Shell on Fire echoes one of Kelli’s art prints, ”Fire” -a still from her movie Burnt Offerings

“Fire” body art and film concept by Kelli Barker

The jeweled shells choreographed with dance art skirts and collages that I am creating ..

jeweled shells choreography

Johnson Zuze exhibited his Snailshell wire wasp and spider, last seen on the National Gallery Miniatures exhibition…..

Johnson Zuze, Humba (Snail Shell) Spider and Humba (Snail Shell) Wasp Medium/ wire sculpture with found objects and humba, (snail) shell.

And the amazing “Humba- His Masters Voice” snail sculpture that Johnson created for me from a antique gramophone speaker salvaged from the burnt offerings of my house fire….last seen at “Burnt Offerings ” exhibition, Pikicha Gallery

“Humba” by Johnson Zuze, wire and found objects sculpture, 120 x 120 cm

The beaded joy that is a xibelana skirt ..

Xibelani (Chibabela) skirt by Junia Matsuve

Culture constrained… or culture growing ?

The choice is ours, let’s get creative!!!!

Caged Culture or Creative culture ?!
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Map of Africa; Old Light or New Dawn?

Africa Day 25th May…

Lin Barrie, “Map of Africa”, acrylic on stretched canvas, 91 x 61 cm,

AFRICA DAY: my painting “Map of Africa” is a brooding, hopeful waterhole lit by the burnt orange glow of the sun beneath the strange and dark horizon…

Old Light? …. Or a New Dawn….?!

shimmering gold, the water holds its secrets, as cerulean light glimmers through a clouded African sky …

Lin Barrie


(PS: See if you can spot the map of Africa !!!!?)

The really strange thing is that when I painted that landscape, I never consciously outlined a map of Africa – it just “happened” and was noticed and commented on after the painting was finished (by my interior design friend, Celso Ribeiro!)

Close up view … Map of Africa

africaday #clouds #mapofafrica #landscape #environment #art #water #biodiversity #artwork #zimbabweanartist #mapmaking #boundaries #newdawn #oldlight #culture #resilience #hope #creativity

Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, adventure travel, Africa, africa, Africa Parks, African child, Antiquity, arid areas, art, Art for impact, biodiversity, climate change, clouds, community conservation, culture, Cycle of Life, drawing, earth, eco-tourism, ecosystem, environment, gonarezhou, great limpopo transfrontier conservation Area, landscape, landscapes, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lowveld, Natural History, painting, paintings, peace parks, rains, Rainy. Season, rewilding, safari, serenity, sketching, skyscape, sunrise, sunset, tourism, trees, water, wellness, wilderness, wildlife, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe Parks, Zimbabwean Art, Zimbabwean Artist, zimbabwean authors | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

A Material Practice; Art for Impact; an Earth, a Social, an Art Practice….

A MATERIAL PRACTICE

A workshop on process with Ann Mary Gollifer and Mma Motsei Nkwemabala

Facilitated by Dr. Tammy Hodgskiss, (curator at Wits Origins Centre) and Julie Taylor (Guns & Rain Gallery)

November 2024 at Origins Centre, WITS University, Jozi.

Tammy Hodgskiss says:

‘Ochre is a mineral pigment that has been used by humans for more than 300,000 years. It appears in archaeological, historical, and contemporary settings across vast distances of time and space, and increasing evidence shows ochre use by ancestral hominins as well as by certain animal species….’

She states that we need to:

…realize the complex histories, properties, and uses of ochre; not within a specific domain – but of the entire earth-human system, operating from deep time and into the future……..this experiential and transdisciplinary approach is not only important for improving our understanding of ochre use in the deep past, but also necessary if we are to appreciate, preserve and actively engage with this unique earth-material heritage now and in the future.’

The Origins Centre nestles next to Wits University lecture halls and residences, in the heart of Johannesburg.

Entering deep mysterious hallways, past that glowing, silvery relief map of Africa, one is drawn into the layered depths of the Origins Centre.., (aptly, I feel as if I am tunneling into a termite mound… ) and on up some stairs to the surface!…

In the well-lit venue where we are to delve into Ann’s ochre practice – earth ochres in shell receptacles and delicious shades of pigments ate laid out for us…

and Ann Mary Gollifer and Mma Motsei Nkwemabala are waiting to host us on our earth journey…..sharing their earth collecting and many personal stories – giving generously of their earth knowledge..

Ann Mary Gollifer and Mma Motsei Nkwemabala

Ann holding her favourite thing….earth…

We admire a very finely ground earth ball purchased in Newtown, Jozi, destination for the cosmetic trade which still holds strong, the culture of using earth on skin ….

finely ground earth ball purchased in Newtown, Jozi,

and look at the exquisitely fine pigments paints produced by Ann in her art practice..

fine pigments paints

the act of pounding earth to create a fine pigment, with traditional pestle and mortar, is intense…

pounding earth to create a fine pigment, with traditional pestle and mortar,

the earth circle….

Earth is everything…

…as my ArtHarare art passport with earthy fingerprints stamp, attests..

We get a demonstration of how Ann prepares her ground earth to create the finest pigment suspension…

and at the last we are given free rein to create our own earth paintings, with curator Julie Taylor of Guns & Rain Gallery relishing the chance to be hands on, on the painting side of things…!!

My experimental earth artworks/monoprints lie in the foreground…

I head home to my step daughter Kimmy’s house clutching my tiny artworks and some earth balls eagerly purchased from Tammy Hodgskiss, such treasure to lay out on the Congo cloth she has brought me from her travels…

My art monoprints are made by pressing Ann’s mulling tool, loaded with sumptuous earth pigment, onto the paper and duplicating the image by pressing other piece of paper over…

Lin Barrie, art monoprints made by pressing the mulling tool loaded with earth pigment onto the paper and duplicating the image by pressing other piece of paper over…

And those earth balls keep telling me to view them in different ways, such as against an ornate carpet…

like a strange moon rising in the far east….

what a moon, an earthball moon shadowed, eclipsed, by my ‘mulled earth print …..”

See more of my EarthBall MoonBall thoughts as I lay out my earth balls with my hand-dyed Kuhlu bark fabric and the Congo fabric, creating a strangely alien moonscape, a skyscape with swirling fabric clouds and full moons at my Kaya Nyala art studio…

and wonderfully, coincidentally, a full March moon sets in the west at our bush house, Tsavene….

continuing that strange feeling of synergy between the face of the moon as she sets, and my white earthball…..

the face of the moon as she sets, and my white earthball…..

NB For more news on earth pigments, PRI are fascinating, pigmentsrevealed_international

(Dr Tammy Hodgskiss @tammyhodgie is a board member and I listened to a wonderful round table discussion, OCHREWORKS….featuring leading ochre researchers that fluently cross disciplinary boundaries to connect ochres, their use, history and their vital roles in human evolution, health and cultures throughout time and across space, in multivalent ways. Participating Researchers at PRI were: Elpitha Tsoutsounakis @elpitha, Heidi Gustafson @heidilynnheidilynn, Tammy Hodgskiss @tammyhodgie, Elizabeth Velliky @itsevolutionbby, Jill Huntlev (Follow on X)

If you ever visit Jozi, do go and experience the Wits Origins Centre who regularly host ochre workshops, truly an immersive colour and social/art history experience…

Dr Tammy Hodgskiss being the Curator at the Origins Centre Museum, University of the Witwatersrand, South Africa, she has researched and has published on ochre use in the Middle Stone Age of South Africa, employing primarily use-trace analytical methods, supported by experimental analogies/understanding. Her research focus is on how ochre and pigment use can help inform interpretations of the cognitive abilities of early modern humans. She believes that the involvement of archaeological researchers in outreach projects, general academic life, and museums is vital in creating pictures of the past that are relevant and accurate.

Tammy tirelessly works towards making museums relevant, decolonized, and useful spaces.

Origins Centre regularly host ochre workshops
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