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Category Archives: Sustainable Fashion
Dancing skirts and cellphones; beads and hut paintings
my art beading works and inspirations… Hundreds of years of trade by Indian and Arab dhow, up and down the east coast of Africa and generally across the Indian ocean, are reflected in the love of glass seed beads, traded … Continue reading →
Posted in abstract art, abstract female expressionist, adventure travel, Africa, africa, African child, African flora, African Safari, african trees, african wildlife, art, art exhibition, Art exhibition zimbabwe, art gallery, art interview, artprints, baobab, beading, beads, bio diversity, Changana people, Chilo Gorge Safari Lodge, clay, community conservation, Corona Virus, Covid, Covid 19, crafts, Craftwork, culture, Cycle of Life, dance, Design, drawing, earth pigment, eco-tourism, ecosystem, environment, fashion, Flora of Zimbabwe, Floral art, flowers, Harare, hut painting, interior design, jewellery, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lowveld, Machangana culture, mozambique, mud huts, National Gallery of Zimbabwe, ndebele culture, painting, paintings, pandemic, Shangaana people, Social Customs, spoken tradition, storytelling, Sustainable Fashion, tradition, traditional dance, Uncategorized, wilderness, wildlife, zimbabwe, Zimbabwe Artist, Zimbabwe National Art Gallery, Zimbabwean Art, Zimbabwean Artist
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Tagged acrylic painting, africa, animals, arab dhow, art, baobab flower, beaded skirt, beading on canvas, beadwork, cellphone, chevron, Chief Chitsa, Chief Mahenye, Chilo Gorge Safari Lodge, clay poy, conservation, contemporary african art, Covid, cultural heritage, culture, dancing skirt, earth pigments, eco-tourism, environment, heritage, hut painting, indian dhow, Lin Barrie Art, mobile phone, mud, ntumbuluko, oil painting, painting, porcupine, technology, travel, wildlife, zimbabwe
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3 Comments
Venice Biennale; Beads and Boundaries; 2024
As the art world converges in Venice to celebrate under the theme “Stranieri Ovunque – Foreigners Everywhere,” (conceived by Brazil’s Adriano Pedrosa), Zimbabwe is well represented at the Zimbabwe Pavilion facilitated by the Zimbabwe National Art Gallery at the Venice … Continue reading →
Posted in abstract art, abstract female expressionist, adventure travel, Africa, African child, art, art collaboration, art exhibition, art on clothes, beading, beads, Changana people, community, cultural beliefs, culture, dance, Fabric, Indian Ocean, jewellery, lifestyle, Lin Barrie Art, Lin Barrie publication, mozambique, music, National Gallery of Zimbabwe, painting, paintings, portuguese, Rivers, SAVE, Save River, Shangaana people, Social Customs, Sustainable Fashion, tradition, traditional dance, Venice biennale, Xangana, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwean Art
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Tagged africa, art, bead installation, beads, Canada, culture, dance, dhows, gold, Hlengwe, Indian Ocean, painting, save river, slave trade, trade, tradition, Venice biennale, Xangana, zimbabwe
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1 Comment
Mud Journal; Earthy Art Interview!
I’m of the earth, an artist of african landscapes, impressionist art, celebrating biodiversity and culture in Zimbabwe- so this interview with Mud Journal was elemental! Thank you Alex Gwaze and Zaza Muchemwa for publishing such insightful and diverse interviews, sharing … Continue reading →
Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, adventure travel, Africa, African child, African flora, African Safari, african wildlife, art, art collaboration, art exhibition, Art exhibition zimbabwe, art gallery, art interview, art on clothes, art video, artprints, asemic writing, baobab, beading, beauty, bio diversity, birdart, Body Art, body artist, Body Painting, bush camps, Changana people, citizen science, cityscape art, clouds, community, community conservation, conservation, cultural beliefs, culture, Cycle of Life, drawing, drums, eco-tourism, ecosystem, endangered species, environment, fashion, FashionArt, Floral art, furnishings,, gonarezhou national park, great limpopo transfrontier conservation Area, Harare, Johnson Zuze, landscape, landscapes, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lowveld, Machangana culture, make up art, make up artist, media, mud huts, Mythology, night Sky, oral history, painting, paintings, poetry, poetry anthology, Portraits, printed fabric, re-cycled art, recycled art, responsible tourism, rewilding, Robin Sprong Wallpaper, Save Valley Conservancy, sculpture, Shangaana people, sketching, skyscape, Social Customs, spoken tradition, storytelling, street art, sunrise, sunset, Sustainable Fashion, tourism, tradition, traditional dance, Trashart, trees, virtual art exhibition, wall art, wall murals, wallpaper, Wear Zim, wilderness, wildlife, Xangana, zimbabwe, Zimbabwe artists, Zimbabwe National Parks, Zimbabwe Parks, Zimbabwean Art, Zimbabwean Artist
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Tagged africa, all things connected, animals, art, art interview, baobab, biodiversity, Clive Stockil, conservation, culture, eco-tourism, elephants, environment, flowers, Gonarezhou National Park, impressionist art, Kelli Barker, landscape, Lin Barrie Art, mud journal, nature, safari, save river, wilderness, wildlife, zimbabwe
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