From the Earth, of the Earth; a gift of Art by Ann Gollifer

I enter the Origins Centre -the museum at Wits University, with great anticipation – carrying my Art Harare Art passport as a tangible memory in the making…

art harare passport, stamped with my ochre thumbprint ..

An EXHIBITION is opening : “Hold me said the Earth” by Ann Gollifer, curated by Kim Karabo Makin.

‘Hold me said the Earth’ invites us to consider the ways in which our identities are shaped by history, geography, and personal experience. And a huge meshed map of Africa at the entrance to the museum encourages our sense of a geographical exploration – a journey –

passport to ART and history, culture, geography at the Origins Centre

Tammy Hodgskiss has created a pathway of discovery in this seductive earthy ‘Origins’ space – and even before I get to the exhibition rooms I am entranced by the displays…

stone tools in Fibonacci spirals…

A visual feast

Earth, Ochre and engraved ostrich shells …

shell receptacles for ochre and earth resonate with me ,

And here is Ann’s own snail shell paint holder- created from a giant African snail shell.

Ann’s shell receptacle

…using shells as I do myself for holding earth pigment, I feel the joy of kindred practices…

Lin’s snail shell

-note to self, my love for giant african snail shells hearkens to the Chauke Humba story and the elemental Fibonacci coil of a shell is endlessly inspiring and wonderful to sketch

After musing over the snail shell, I fully enter the amazing elemental space that houses Ann’s ochre earth creations …

Stunning cakes of ochre squat on the concrete floor holding the promise of layered stories within –

At last after years of online chats I get to meet up with lovely Ann herself…

Ann Gollifer

and here is a beautiful team

portrait of Ann with the Guns & Rain Gallery team…

Guns & Rain team, Julie, Laura and Dimakatso, with Ann

Julie Taylor of Guns & Rain, drawn into the exquisitely fine details ..

Julie Taylor

Saturated pigments of deeply moving hue draw me in my turn into Ann’s work – handprints, map making, mark making, brushwork…

I record a photo of the ochre thumbprint in my artharare art passport – against Ann’s work- an indelible memory for me, thank you Ann!

Here outlined arms and hands on a folded “map” seem to morph into fantastic giraffes…telling their own story

hand or giraffe? ..

a tree hung with ochre scribed boards sways gently, while a visiting anthropologist views Ann’s art video in the background

Anthropology and art, installation and video…

Ann Gollifer’s work is a deeply personal history, centred on her use of pigments derived from earth colours found in Botswana,

Catalogued and carefully labeled earth colours lovingly documented

This is something more than just colour –

this is history, culture, identity…true storytelling..

“Her (Ann’s) art is a call to reflection, urging us to consider our own personal mythologies and how they intersect with the larger narratives of race, gender, and nationality” – Khumo Sebambo.

Reflecting this ongoing story of humankind, I meet charming Dr Tien, anthropologist from Cape Town, and a team of fascinating visiting anthropologists who are attending multiple workshops country wide …

Tien and a team of enthusiastic and fascinating anthropologists attends the opening…

a powerful and moving Exhibition curated by Kim Karabo Makin.

Ann is intent …

Entertaining and moving presentations ..

A Delightful trio ! Kim with Ann and Mma Motsei Nkwemabala

– thank you !

A few in the crowd including curator Kim Karabo Makin

shells ochre and synergies – I can not wait to next attend the workshop hosted by ANN and her fellow ochre collaborator MMA MOTSEI NKWEMABALA

A MATERIAL PRACTICE: A WORKSHOP ON PROCESS WITH ANN MARY GOLLIFER AND MMA MOTSEI NKWEMABALA
Ann’s mark making
Unknown's avatar

About wineandwilddogs

Lin Barrie The Save Valley Conservancy stretches along the upper reaches of the great Save River in the south east of Zimbabwe. The Gonarezhou National Park laps against the southern banks of the Save River and between these two nestles the Malilangwe Wildlife Reserve. These three celebrated wildlife areas form part of the Greater Limpopo Transfrontier Conservation Area, (GLTFCA)- a unique wilderness jewel which is home to the “Big Five” (endangered Black and White rhinos, elephants, buffalo, lion, leopard) and the ”Little Six” (Klipspringer, Suni, Duiker, Steenbok, Sharpe's Grysbok and Oribi). Endangered African wild dogs, Cheetah, Brown hyena, Bat-eared foxes and a host of special birds and plants contribute to the immense variety of this ecosystem. Communities around the GLTFCA contribute to innovative partnerships with National Parks and the private sector, forming a sound base on which to manage social, economic and environmental issues. This is home to artist and writer Lin Barrie and her life partner, conservationist Clive Stockil. Expressing her hopes, fears and love for this special ecosystem with oil paints on canvas, Lin Barrie believes that the essence of a landscape, person or animal, can only truly be captured by direct observation. Lin Barrie states: “Through my art, and my writing, I feel an intimate connection with the natural world, and from my extensive field sketches of wild animals, people and landscapes, I create larger works on canvas. Lin's work is in various public and private collections in South Africa, Kenya, Zimbabwe, Australia, England, Canada, Sweden and the United States of America. She is represented by galleries in South Africa, Zimbabwe, England, Kenya and Florida, USA.
This entry was posted in abstract art, Abstract female exoressionist art, Africa, africa, African child, Anthropology, archeology, arid areas, art, art collaboration, Art collectors, art exhibition, Art pigment, art video, Body art,, Body Painting, botswana, clay, community, community conservation, cultural beliefs, culture, David Attenborough, drawing, dreams, earth, earth pigment, environment, Guns & Rain Gallery, hut painting, initiation rites, interior design, kaolin, kgalagadi, landscapes, Life Drawing, lifestyle, Lin Barrie publication, make up art, media, mud huts, murals, myth, Mythology, namibia, ndebele culture, Ochre, Ochre art, paintings, poetry, Portraits, pottery, Rain, sketching, spoken tradition, storytelling, Totem, tradition, traditional craft, Uncategorized, wall art, Watercolour and tagged , , , , , , , , , , , , , , , . Bookmark the permalink.

3 Responses to From the Earth, of the Earth; a gift of Art by Ann Gollifer

  1. David Gollifef's avatar David Gollifef says:

    Well done Ann keep on making progress in this interesting aspect of srt

  2. Pingback: A Material Practice; Art for Impact; an Earth, a Social, an Art Practice…. | wine and wild dogs

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.