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Recent Posts
- National Culture Month, Zimbabwe 2025, “Celebrating Indigenous Voices”; a turning point for me into a wider Dance, Art, Rhythm, Music and Craft celebration in my art practice…
- Burnt Offerings Collective at Cheuka Harare Art Fair (CHAF) 2025; LOOK! Take Notice….
- Take Note! Look! Cheuka Harare Art Fair (CHAF) 2025
- Forever Young, Always Present; the Eternal Embrace of the Chilojo Cliffs and Gonarezhou…
- Budula Dance Festival 2025; Dancing with Community at Boli-Muhlanguleni….
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Category Archives: tradition
Of the Earth, Of Fire; Sketching a Giant African Land Snail Shell
Fascinated by #snailshells – I use black and ochre earth pigment … Laying the earth pigments on my sketch paper … #Fibonaccispirals coils and very satisfying lines.. #lifepatterns that I sketch with earth and ink, using a palm leaf pen… … Continue reading →
Posted in abstract art, Africa, africa, African Plant Hunter, african wildlife, art, art collaboration, biodiversity, clay, community conservation, cultural beliefs, culture, drawing, earth, earth pigment, ecosystem, environment, family, fire, Fire regimes, food, giant African snail, landscapes, Life Drawing, Lin Barrie Art, lowveld, molluscs, myth, Natural History, Ochre, oral history, paintings, spoken tradition, storytelling, Totem, tradition, traditional craft, Xangana, zimbabwe, Zimbabwe artists, Zimbabwean Art, Zimbabwean history
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Tagged africa, animals, art, conservation, culture, earth pigment, environment, Hlengwe, Lin Barrie Art, sketch, snail shell, wildlife, Xangana, zimbabwe
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2 Comments
Dancing with my Shadow; An Elephant in the Room and the Budula Festival…
When I am not at my Harare art studio, I live with my partner Clive Stockil, in the south East of Zimbabwe at Mahenye Village, adjacent to Gonarezhou National Park, (near Chilo Gorge Safari Lodge and Jamanda Community Wilderness Area) … Continue reading →
Posted in abstract art, Africa, africa, Africa Parks, African child, African Safari, African wild dogs, african wildlife, animal rights, anti poaching, arid areas, art, art collaboration, art exhibition, Art exhibition zimbabwe, art fair, artprints, baobabs, beading, bio diversity, Campfire, cattle, Changana people, Chilo Gorge Safari Lodge, citizen science, clay, clay pots, climate change, clive stockil, community, community conservation, community wildlife challenge, community wildlife challenges, community wildlife conflict, conservation, conservation education, conservation news, conservation publication, crafts, cultural beliefs, Cultural festival, culture, Cycle of Life, dance, dogs, drawing, drums, eco-tourism, ecosystem, elephants, endangered, endangered species, environment, family, gonarezhou, Gonarezhou Conservation Trust, gonarezhou national park, great limpopo transfrontier conservation Area, Greater Limpopo Transfrontier Park, hardwood trees, landscape, Life Drawing, lifestyle, Lin Barrie Art, Lin Barrie publication, lions, mozambique, music, Music festival, oral history, Painted Dogs, painted wolves, painting, paintings, pangolins, Poaching, poetry, pottery, predators, responsible tourism, rewilding, Rivers, safari, Save River, Shangaana people, sketching, Social Customs, spoken tradition, storytelling, Totem, tourism, tradition, traditional cattle herders, traditional craft, traditional dance, Traditional fabric, travel, trees, Tsonga, wild dogs, wilderness, wildlife, Xangana, Xibelani fabric, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe Parks, Zimbabwean Art, Zimbabwean Artist, Zimbabwean tourism
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Tagged acrylic on canvas, adventure travel, africa, agriculture in zimbabwe, animals, art, Art blog, art career, art collaboration, art with impact, boli, bsobab fibre, Budula, Budula Festival, capital art, cattle, CCDI, centre for community development initiatives, chibabela, Chilo Gorge Safari Lodge, chiredzi, community, community and wildlife conflict, communityconservation, cultural heritage, culture, dance, dance festival, dancing with my shadow, drums, earth pigment, eco-tourism, Elephant, elephant in the room, environment, fibonacci, fibonacci spiral, Gaza, Gaza Trust, gazaland, giant african land snail, glass seed beads, goats, gonarezhou, Gonarezhou Conservation Trust, Hlengwe, homestead, impact art, kaya nyala, Lin Barrie Art, lions, living with wildlife, low impact tourism, Malilangwe, music, Music festival, nature, Ndhlovu, Nyala, Nzhou, over tourism, painting, painting on canvas, Pangolin, Pathway, poetry, pottery, rural district council, Save Valley Conservancy, shadow, shadows, shangaan, snail shell, spirituality, storytelling, subsistence farming, tented camp, the elephant in the room, Totem, totems, Traditional dress, Tsonga, unique exoerience, village life, wild dogs, wildlife, writer, Xangana, xangana culture, xibelani, zimbabwe, Zimbabwe National Gallery, Zimbabwe National Parks, zimbabwe tourism, zimbabwe tourism authority, zimbabwean poet
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9 Comments
Guns & Rain; History and Art in the making…
With a name inspired by a fascinating and potently layered history/culture book, “Guns & Rain, Guerillas and Spirit Mediums in Zimbabwe” by David Lan, this just-as-potent little gallery, now ten years old, has grown steadily under the directorship of founder … Continue reading →
Posted in 1-54 London, abstract art, Abstract female exoressionist art, abstract female expressionist, Africa, African child, African flora, african wildlife, art, Assemblage art, Beaded art, beading, beads, bio diversity, books, bookstore, citizen science, City Life, craft, crafts, Craftwork, culture, deep sea diving, draped canvas, ecosystem, environment, Fabric, fabric design, Floral art, FNB art fair, geography, Guns, Guns & Rain Gallery, Harare, landscape, lifestyle, Lin Barrie publication, London, molluscs, nudibranch, ocean life, oral history, Oxford UK, painting, paintings, poetry, printed fabric, rains, Rainy. Season, re-cycled art, re-cycled products, recycled art, snorkelling, soft sculpture, spoken tradition, storytelling, Textile art, tradition, traditional craft, Traditional fabric, weaving, Woman’s work, zimbabwe, Zimbabwean Art
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Tagged #history, 1-54 London, africa, an essay girlie, animals, art, art gallery, art johannesburg, bev but low, book, culture, environment, flowers, FNB art fair, guerilla, Guns, guns & rain, Hannah Macfarlane, Hedwig Barry, inspiration, julie Taylor, Kelli Barker, landscape, landscapes, nature, Open City, Oxford UK, painting, paintings, Parkhurst gallery, pearls, poetry, princes martingale, Rain, remember who you are, soft power, soft sculpture, spirit mediums, Textile art, Traditional fabric, underwater, wildlife, writing, zanele muholi, zimbabwe
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1 Comment
Xibelani -wonderful word for a vibrant cultural fabric tradition…
Xibelani is a vibrant and colorful fabric that is popularly worn by the Tsonga women of South Africa. It is a type of traditional attire that has been worn for generations and has become an integral part of Tsonga culture. … Continue reading →
Posted in abstract art, Africa, African child, art, art collaboration, art on clothes, beading, beads, bio diversity, Body art,, Changana people, community, community conservation, crafts, Craftwork, cultural beliefs, culture, dance, drums, Fabric, fashion, Gonarezhou Conservation Trust, gonarezhou national park, Greater Limpopo Transfrontier Park, lifestyle, lin barrie, Lin Barrie Art, lowveld, Machangana culture, music, musical instruments, paintings, Save Valley Conservancy, Shangaana people, Social Customs, spoken tradition, storytelling, Sustainable Fashion, tradition, traditional dance, Tsonga, Uncategorized, wilderness, Xangana, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Parks, Zimbabwe Parks, Zimbabwean Art
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Tagged activism, africa, art, art inspiration, beaded skirt, celebration, Clive Stockil, conservation, culture, dance, dancing skirt, environment, fashion, festivals zimbabwe, gonarezhou, Gonarezhou National Park, Lin Barrie Art, Mahenye, Malilangwe, music, painting, paintings, poetry, river, salampore fabric, shangaan, skirts, South Africa Mozambique, storytelling, traditional dance, travel, Tsonga, Weddings, woven cloth, Xangana, xibelani, zimbabwe, zimbabwe tourism
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Dancing skirts and cellphones; beads and hut paintings
my art beading works and inspirations… Hundreds of years of trade by Indian and Arab dhow, up and down the east coast of Africa and generally across the Indian ocean, are reflected in the love of glass seed beads, traded … Continue reading →
Posted in abstract art, abstract female expressionist, adventure travel, Africa, africa, African child, African flora, African Safari, african trees, african wildlife, art, art exhibition, Art exhibition zimbabwe, art gallery, art interview, artprints, baobab, beading, beads, bio diversity, Changana people, Chilo Gorge Safari Lodge, clay, community conservation, Corona Virus, Covid, Covid 19, crafts, Craftwork, culture, Cycle of Life, dance, Design, drawing, earth pigment, eco-tourism, ecosystem, environment, fashion, Flora of Zimbabwe, Floral art, flowers, Harare, hut painting, interior design, jewellery, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lowveld, Machangana culture, mozambique, mud huts, National Gallery of Zimbabwe, ndebele culture, painting, paintings, pandemic, Shangaana people, Social Customs, spoken tradition, storytelling, Sustainable Fashion, tradition, traditional dance, Uncategorized, wilderness, wildlife, zimbabwe, Zimbabwe Artist, Zimbabwe National Art Gallery, Zimbabwean Art, Zimbabwean Artist
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Tagged acrylic painting, africa, animals, arab dhow, art, baobab flower, beaded skirt, beading on canvas, beadwork, cellphone, chevron, Chief Chitsa, Chief Mahenye, Chilo Gorge Safari Lodge, clay poy, conservation, contemporary african art, Covid, cultural heritage, culture, dancing skirt, earth pigments, eco-tourism, environment, heritage, hut painting, indian dhow, Lin Barrie Art, mobile phone, mud, ntumbuluko, oil painting, painting, porcupine, technology, travel, wildlife, zimbabwe
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3 Comments
Venice Biennale; Beads and Boundaries; 2024
As the art world converges in Venice to celebrate under the theme “Stranieri Ovunque – Foreigners Everywhere,” (conceived by Brazil’s Adriano Pedrosa), Zimbabwe is well represented at the Zimbabwe Pavilion facilitated by the Zimbabwe National Art Gallery at the Venice … Continue reading →
Posted in abstract art, abstract female expressionist, adventure travel, Africa, African child, art, art collaboration, art exhibition, art on clothes, beading, beads, Changana people, community, cultural beliefs, culture, dance, Fabric, Indian Ocean, jewellery, lifestyle, Lin Barrie Art, Lin Barrie publication, mozambique, music, National Gallery of Zimbabwe, painting, paintings, portuguese, Rivers, SAVE, Save River, Shangaana people, Social Customs, Sustainable Fashion, tradition, traditional dance, Venice biennale, Xangana, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwean Art
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Tagged africa, art, bead installation, beads, Canada, culture, dance, dhows, gold, Hlengwe, Indian Ocean, painting, save river, slave trade, trade, tradition, Venice biennale, Xangana, zimbabwe
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1 Comment
Esther Mahlangu: hit painting, hip painting or hut painting!?
At Investec, my first up close view of an Esther Mahlangu artwork was a fiberglass pot painted in her studio, albeit signed by her. Used to the wonderful hand-built heavy clay pots of Gwayi and the finer earth- fired pots … Continue reading →
Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, Africa, africa, African child, art, art collaboration, art exhibition, art fair, art video, beading, beads, Changana people, childrens art, clay, community, Craftwork, cultural beliefs, culture, Design, drawing, earth pigment, esther mahlanga, film, Graffitti, Harare, hut painting, interior decor, interior design, investec art fair, kitchens, landscapes, lifestyle, lowveld, Machangana culture, mud huts, murals, national gallery, National Gallery of Zimbabwe, ndebele culture, painting, paintings, pottery, rural school,, Shangaana people, skulls, Social Customs, spoken tradition, storytelling, street art, tourism, tradition, traditional cattle herders, traditional dance, travel, Uncategorized, virtual art exhibition, wall art, wall murals, Xangana, zimbabwe, Zimbabwean Art
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Tagged africa, art, beadwork, Burnt sienna, Clay pot, earth pigment, environment, Esther Mahlangu, feather brush, geometric pattern, hand built, handpainted, hut painting, investec art fair, Iziko musuem, kaolin, landscape, Ndebele, Ndebele home, paintings, pottery, raw sienna, sculpture, tradition, traditional art, wilderness, Xangana, yellow ochre
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1 Comment
Mud Journal; Earthy Art Interview!
I’m of the earth, an artist of african landscapes, impressionist art, celebrating biodiversity and culture in Zimbabwe- so this interview with Mud Journal was elemental! Thank you Alex Gwaze and Zaza Muchemwa for publishing such insightful and diverse interviews, sharing … Continue reading →
Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, adventure travel, Africa, African child, African flora, African Safari, african wildlife, art, art collaboration, art exhibition, Art exhibition zimbabwe, art gallery, art interview, art on clothes, art video, artprints, asemic writing, baobab, beading, beauty, bio diversity, birdart, Body Art, body artist, Body Painting, bush camps, Changana people, citizen science, cityscape art, clouds, community, community conservation, conservation, cultural beliefs, culture, Cycle of Life, drawing, drums, eco-tourism, ecosystem, endangered species, environment, fashion, FashionArt, Floral art, furnishings,, gonarezhou national park, great limpopo transfrontier conservation Area, Harare, Johnson Zuze, landscape, landscapes, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lowveld, Machangana culture, make up art, make up artist, media, mud huts, Mythology, night Sky, oral history, painting, paintings, poetry, poetry anthology, Portraits, printed fabric, re-cycled art, recycled art, responsible tourism, rewilding, Robin Sprong Wallpaper, Save Valley Conservancy, sculpture, Shangaana people, sketching, skyscape, Social Customs, spoken tradition, storytelling, street art, sunrise, sunset, Sustainable Fashion, tourism, tradition, traditional dance, Trashart, trees, virtual art exhibition, wall art, wall murals, wallpaper, Wear Zim, wilderness, wildlife, Xangana, zimbabwe, Zimbabwe artists, Zimbabwe National Parks, Zimbabwe Parks, Zimbabwean Art, Zimbabwean Artist
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Tagged africa, all things connected, animals, art, art interview, baobab, biodiversity, Clive Stockil, conservation, culture, eco-tourism, elephants, environment, flowers, Gonarezhou National Park, impressionist art, Kelli Barker, landscape, Lin Barrie Art, mud journal, nature, safari, save river, wilderness, wildlife, zimbabwe
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As one door closes, another door opens; Finnisage, Vernisage
As one door closes, another door opens; Finnisage, Vernissage…2023 A double art event at Emagumeni Cultural Ventre and Pikicha Gallery in Harare! At the closing of our group exhibition ‘Burnt Offerings’ Johnson Zuze, Kelli Barker and I celebrated also the … Continue reading →
Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, Africa, African child, art, art collaboration, art exhibition, Art exhibition zimbabwe, art gallery, art on clothes, artprints, beauty, Body art,, body artist, Body Painting, broom, colour of the year, Colour of the YearYear, community, crafts, Craftwork, cultural beliefs, culture, dance, drawing, dulux, ecosystem, environment, Fabric, fabric design, fairytale, fashion, FashionArt, film, Graffitti, Harare, Johnson Zuze, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, make up, make up art, make up artist, musical instruments, myth, oral history, painting, paintings, photography, poetry, printed fabric, re-cycled art, re-cycled products, recycled art, sharing, sketching, storytelling, tradition, virtual art exhibition, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwean Art, Zimbabwean Artist
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Tagged abstract art, africa, art, artcollaboration, artwvent, culture, emagumeni, environment, ethicalfashion, fashion, Finnisage, gemma Griffiths, Hausofstone, integrity, johnsonzuze, KelliBarker, Kuda rice, Lin Barrie Art, makeup, mutsvairo, poetry, purecotton, spokenword, storytelling, vernisage, zimbabwe, Zimbabwean Artist
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What Inspires an Artwork? I Muse as I Embrace Equity….
What is best for meaningful art creation? What comes first, the theme, the idea, an art commission…. or the actual act of merely putting charcoal to paper or brush to canvas, and creating as you go….? Continue reading →
Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, Africa, africa, African child, African flora, african trees, arid areas, art, art collaboration, art exhibition, Art exhibition zimbabwe, art gallery, art interview, art video, baobabs, bereavement, biblical stories, bio diversity, books, burial site, culture, Cycle of Life, drawing, ecosystem, environment, Flora of Zimbabwe, Harare, landscape, landscapes, Life Drawing, lin barrie, Lin Barrie Art, Lin Barrie publication, mana pools, movies, myth, National Gallery of Zimbabwe, oral history, paintings, poetry, poetry anthology, sketching, sky, Social Customs, spoken tradition, storytelling, tradition, virtual art exhibition, wilderness, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwe National Parks, Zimbabwe Parks, Zimbabwean Art, Zimbabwean Artist
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Tagged acrylic on canvas, african chiefs, anthology, art, art commission, art gallery, artwork, baobabs, bereavement, burial site, Carnelian Heart Publishing, commision, embrace equity, environment, equity, equlaity, family, large canvas, Life Drawing, Lin Barrie Art, metamorphosis, mtyh, national art gallery, painting, poetry, re-invention, Rebirth, religion, renewal, sketching, tesserae, tree art, woman art exhibition, women art, women poets, zimbabwe, Zimbabwean Artist, zimbabwean poet
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