Dancing with my shadow, Dancing with my totem; Dancing alone….’

Dancing with my shadow, Dancing with my totem, Dancing alone….’

Painting by Lin Barrie…

.
Dancing with my shadow, Dancing with my totem, Dancing alone….’

Dancing with my shadow, Dancing with my totem, Dancing alone is acrylic on canvas board, framed with Pod mahogany, size 4 x 3 feet.

It was exhibited at the National Gallery of Zimbabwe “Blood Relatives” (exhibition 2019)

In this acrylic painting, a woman dancer dances accompanied only by her shadow, stamping out her solitary rhythm in the dust of Africa, while overall looms her totem Ndhlovu, in the background, half obscured, but a force nevertheless….the challenge of human wildlife conflict and co-existence is implicit, but I choose to also illustrate a state of being, an aloneness. Maybe she is not so alone though with a powerful force, a ‘totem’ to shadow her every move.

For the exhibition Blood Relatives, with this painting, I choose to emphasis the questions:

when I dance, when I interact socially, who am I actually dancing with?

who am I actually talking to…..?

do I feel more distant and isolated today than in the past?

Is family identity, family Totem, as important as it once was?

Am I merely dancing with my shadow, talking to space, isolated and disempowered, or is the power of family, the power of totem, still as strong as before?

In the past, our families lived together more closely, were more reliant on each other for support, love, marriage and culture….now that people have dispersed from their family homes, and rely on technology for communication, we interact and see each other in a different way.

Although now we often “dance alone”, separated by distance or health issues from our loved ones, is the power of our respective cultures enough to connect us? Is the power of our Totems enough to continue to empower us, inform our decisions about life marriage and love? And during these times of isolation and lockdown, with the world in the grip of COVID-19 viral challenge, how much more alone and disconnected many of us feel….

About wineandwilddogs

Lin Barrie The Save Valley Conservancy stretches along the upper reaches of the great Save River in the south east of Zimbabwe. The Gonarezhou National Park laps against the southern banks of the Save River and between these two nestles the Malilangwe Wildlife Reserve. These three celebrated wildlife areas form part of the Greater Limpopo Transfrontier Conservation Area, (GLTFCA)- a unique wilderness jewel which is home to the “Big Five” (endangered Black and White rhinos, elephants, buffalo, lion, leopard) and the ”Little Six” (Klipspringer, Suni, Duiker, Steenbok, Sharpe's Grysbok and Oribi). Endangered African wild dogs, Cheetah, Brown hyena, Bat-eared foxes and a host of special birds and plants contribute to the immense variety of this ecosystem. Communities around the GLTFCA contribute to innovative partnerships with National Parks and the private sector, forming a sound base on which to manage social, economic and environmental issues. This is home to artist and writer Lin Barrie and her life partner, conservationist Clive Stockil. Expressing her hopes, fears and love for this special ecosystem with oil paints on canvas, Lin Barrie believes that the essence of a landscape, person or animal, can only truly be captured by direct observation. Lin Barrie states: “Through my art, and my writing, I feel an intimate connection with the natural world, and from my extensive field sketches of wild animals, people and landscapes, I create larger works on canvas. Lin's work is in various public and private collections in South Africa, Kenya, Zimbabwe, Australia, England, Canada, Sweden and the United States of America. She is represented by galleries in South Africa, Zimbabwe, England, Kenya and Florida, USA.
This entry was posted in Africa, africa, African child, african wildlife, animal rights, art, art collaboration, art exhibition, bio diversity, Changana people, community, community conservation, conservation, Corona Virus, Covid, Covid 19, cultural beliefs, culture, dance, dreams, ecosystem, elephants, endangered, environment, initiation rites, landscape, Lin Barrie Art, Shangaana people, sketching, Social Customs, spoken tradition, Totem, tradition, traditional dance, travel, Tsonga, virtual art exhibition, wilderness, Xangana, zimbabwe, Zimbabwe National Art Gallery and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

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