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Recent Posts
- National Culture Month, Zimbabwe 2025, “Celebrating Indigenous Voices”; a turning point for me into a wider Dance, Art, Rhythm, Music and Craft celebration in my art practice…
- Burnt Offerings Collective at Cheuka Harare Art Fair (CHAF) 2025; LOOK! Take Notice….
- Take Note! Look! Cheuka Harare Art Fair (CHAF) 2025
- Forever Young, Always Present; the Eternal Embrace of the Chilojo Cliffs and Gonarezhou…
- Budula Dance Festival 2025; Dancing with Community at Boli-Muhlanguleni….
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Category Archives: Art exhibition zimbabwe
National Culture Month, Zimbabwe 2025, “Celebrating Indigenous Voices”; a turning point for me into a wider Dance, Art, Rhythm, Music and Craft celebration in my art practice…
Zimbabwe’s 2025 National Culture Month, May 2025, under the theme “Celebrating Indigenous Voices” celebrated the country’s diverse cultural and linguistic heritage. Culture Month Launch at Rusununguko Clinic, Chiredzi, Zimbabwe, was the lowveld component of the nationwide events – particularly celebrating … Continue reading →
Posted in abstract art, abstract female expressionist, adventure travel, Africa, africa, African art, African child, art, art collaboration, Art collectors, art community, art exhibition, Art exhibition zimbabwe, art fair, art festival, Art for impact, art gallery, art interview, art museum, art on clothes, Art pigment, art travel, art video, artprints, Assemblage art, beading, beads, Body Art, Body art,, body artist, Body Painting, broom, Burnt Offerings Collective, Changana people, clive stockil, community, community conservation, craft, crafts, Craftwork, cultural beliefs, Cultural festival, culture, dance, draped canvas, drawing, dreams, Dressmaking, drums, earth, earth pigment, eco-tourism, ecosystem, expressionist art, Fabric, fabric design, fashion, FashionArt, female expressionist, fibre art, Fish, fishing, giant African snail, Hairstyle, Handmade art, Harare, Heritage site, hip hop, hunting, initiation rites, jewellery, Johnson Zuze, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lowveld, Machangana culture, Michael Jackson, Miniature paintings, music, musical instruments, national arts council zimbabwe, National Gallery of Zimbabwe, Natural History, Nguni cattle, oral history, painting, paintings, palms, Politicians, printed fabric, printmaking, re-cycled products, recycled art, sculpture, Social Customs, spoken tradition, storytelling, street art, Textile art, tradition, traditional craft, traditional dance, traditional dyes, Traditional fabric, video, Video art, weaving, wilderness, Woman’s work, Xangana, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwean Art, Zimbabwean Artist
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Tagged #history, abstract art, africa, afrikera trust, alliance français, art, art museum, Baskets, beaded skirt, beadwork, Body Art, caged culture, Clay pot, community, conservation, crochet, Culture Month, dance, dance skirt, dancer, Dans6T, draped canvas, dress, environment, expressionist art, fashion, fishtrap, hwamanda, jewellery, Johnson Zuze, Kelli Barker, Lin Barrie Art, maceka, Mahenye, mats, Michael Jackson, music, Napoleon Nhyani, national arts council zimbabwe, National Gallery of Zimbabwe, needlework, ngoma, painting, photography, pottery, President Manangagwa, president of zimbabwe, print, rhythm, salampore, sewing, skirt, snail shell, snare wire, south east lowveld, spiders, traditional broom, travel, wasp, weaving, wire cage, women’s work, woven craft, zimbabwe, zimbabwe creatives, Zimbabwean Art, zimbabwean craft
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Burnt Offerings Collective at Cheuka Harare Art Fair (CHAF) 2025; LOOK! Take Notice….
My general report and thoughts on Cheuka Art Fair (CHAF), 2025 are in my associated blog, please do visit that and enjoy the read….. Burnt Offerings Collective at Cheuka Harare Art Fair (CHAF) February 2025…. After my attendance at FNB … Continue reading →
Posted in #history, abstract art, abstract female expressionist, Africa, African art, animal farm, Antiquity, art, art collaboration, Art collectors, art community, art exhibition, Art exhibition zimbabwe, art fair, art fair zimbabwe, art festival, art film, Art for impact, art gallery, art interview, art travel, art video, artprints, Assemblage art, Body Art, body artist, Body Painting, Burnt Offerings Collective, CHAF, Cheuka Art Fair, Cheuka Harare Art Fair, cityscape art, community, cooking, crafts, Craftwork, cultural beliefs, Cultural festival, Design, draped canvas, drawing, earth pigment, environment, Fabric, fibre art, film, flight, FNB art fair, gallery delta, Great Zimbabweans, Greek Myth, Hogmanay, home grown food, interior design, Ivhu Tribe, Johnson Zuze, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, make up, make up art, make up artist, moffat Takadiwa, movies, myth, Mythology, National Gallery of Zimbabwe, ngano, painting, paintings, performance art, photography, poetry, Portraits, pottery, printmaking, re-cycled art, recycled art, sculpture, sketching, slow food, Social Customs, soft sculpture, spoken tradition, storytelling, Textile art, tourism, tradition, travel, Uncategorized, Venice biennale, video, Video art, wall art, wings, wood sculpture, writing, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwean Art, Zimbabwean Artist, zimbabwean authors, Zimbabwean books
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Tagged admire Kamudzengerere, africa, ancestor worship, animal farm, animal farm artists, archival print, art, art booth, art film, art gallery, art practice, artfair, artists, bottle bird, Burnt Offerings Collective, CHAF, Cheuka Harare Art Fair, conservation, curators, draped canvas, eco-tourism, emergence, environment, exhibition, exhibitions, fibre art, flight, found objects, Greek Mythology, Harare Showgrounds, icarus, intangible, Johnson Zuze, Kelli Barker, kelli barker makeup, Laura Fungai Ganda, Lin Barrie Art, look, make up art, Merilyn Mushakwe, Michele Sandoz, monotype, ngano, njuzi, Njuzi water spirit, Njuzu, Notice, observe, painting, paperworks, performance art, photographs, poetry, printmaking, raphael chikukwa, samantha rumbi vazhure, snare wire, soft sculpture, storytelling, studio 214, tangible, tinashe muchuri, travel, Wallen Mapondera, wings, wire, wire sculpture, wire snare, wire wings, zimbabwe, Zimbabwean Art, zimbabwean art gallery, Zimbabwean Artist
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Take Note! Look! Cheuka Harare Art Fair (CHAF) 2025
Cheuka is a Shona word that refers to the observation or noticing of both tangible and intangible things that surround us. Look; the act of noticing, noting, remarking, or observing; observation by the senses or intellect; cognizance; Cheuka Harare Art … Continue reading →
Posted in abstract art, abstract female expressionist, Africa, africa, African art, African child, African flora, art, art collaboration, Art collectors, art community, art exhibition, Art exhibition zimbabwe, art fair, art fair zimbabwe, art festival, art film, Art for impact, art gallery, art interview, art on clothes, Art pigment, art residence, art video, artprints, Assemblage art, Beaded art, beading, beauty, birdart, birds, Body art,, body artist, Body Painting, capital art, Cheuka Art Fair, cityscape art, craft, crafts, Craftwork, cultural beliefs, culture, Cycle of Life, dance, Design, draped canvas, drawing, dreams, earth, earth pigment, environment, Fabric, fairytale, FashionArt, fibre art, film, flight, FNB art fair, food, food culture, gallery delta, Graffitti, Hairstyle, Harare Showgrounds, hip hop, home grown food, homegrown, interior design, investec art fair, landscape, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, moffat Takadiwa, movies, murals, myth, Mythology, national gallery, National Gallery of Zimbabwe, oral history, painting, paintings, performance art, poetry, pottery, printed fabric, printmaking, re-cycled art, re-cycled products, recycled art, sculpture, silk painting, sketching, slow food, Social Customs, soft sculpture, spoken tradition, storytelling, street art, taste, Taste of Africa, Textile art, theatre, tradition, traditional dance, traditional dyes, travel, Uncategorized, Video art, virtual art exhibition, wall art, weaving, White cube, Winged Victory, wire, wood sculpture, writing, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwean Art, Zimbabwean Artist, zimbabwean authors, Zimbabwean books, Zimbabwean history, Zimbabwean tourism, zimbabweanart
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Tagged admire Kamudzengerere, africa, animal farm, animals, art, Art collectors, art fair, art panel, art patronage, Beta Gallery, birds, books, bottle birds, burnt offerings, Burnt Offerings Collective, CHAF, Cheuka Art Fair, chicken, Chitungwiza Artists collective, earth, emergence, emerging artists, environment, established zimbabwean artists, fadzai muchemwa, fibre art, film, flight, FNB art fair, food, found objects art, Gallery 33.0, gluten free, goat meat, Harare Showgrounds, Helen Lieros, investec art fair, Johnson Zuze, Kelli Barker, Laura Fungai Ganda, Lin Barrie Art, look, Mbayiwa Studio, memory of the Ancestors, Merilyn Mushakwe, mermaid, Michele Sandoz, millet, mud, Munwahuku Collective, NACZ, national art gallery, national arts council zimbabwe, Nhaka Gallery, noitice, observe, painting, peggy mapondera, performance art, photographs, Post Studio Arts Collective, printmaking, raphael chikukwa, shona word, snare wire, soft sculpture, sorghum, stone sculpture, Tarisa Studio, The Mapondera Collection, tradition, traditional food, traditional grains, travel, vegan, Wailers Studio, Wallen Mapondera, water, wings, wood sculpture, zimbabwe
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Budula Dance Festival 2025; Dancing with Community at Boli-Muhlanguleni….
Building Sustainable Connections, Budula being an active, well used pathway. The Budula Festival 2025 is spearheaded by the Mahlanga Trust, focusing on Dance. A budula is an active pathway, a corridor, and so is an apt title, considering the transboundary collaborations … Continue reading →
Posted in abstract art, adventure travel, Africa, africa, African child, African Safari, african wildlife, african wildlife conservation fund, animal rights, Anthropology, anti poaching, arid areas, art, art collaboration, Art collectors, art exhibition, Art exhibition zimbabwe, art festival, art film, Art for impact, Art for wildlife, art gallery, art on clothes, art video, Assemblage art, Beaded art, biodiversity, Body Art, body artist, Body Painting, cbnrm, Changana people, childrens art, citizen science, climate change, clive stockil, community, community conservation, community wildlife challenge, community wildlife challenges, community wildlife conflict, conservation, conservation education, conservation news, conservation publication, craft, crafts, Craftwork, cultural beliefs, Cultural festival, culture, dance, Design, dogs, draped canvas, drawing, drums, earth pigment, eco-tourism, ecosystem, education, endangered, endangered species, environment, fabric design, family, fashion, film, food, food culture, Gaza, geography, giant African snail, gonarezhou, Gonarezhou Conservation Trust, gonarezhou national park, great limpopo transfrontier conservation Area, Greater Limpopo Transfrontier Park, Hairstyle, Heritage site, hlungwani peiople, home grown food, homegrown, Honey gatherers, Human Rights, Hunter gatherers, hunting, hut painting, Indian Ocean, kaolin, landscape, landscapes, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lions, lowveld, Machangana culture, make up, make up art, make up artist, mozambique, music, Music festival, musical instruments, national parks, Natural History, painted wolves, painting, paintings, photography, portuguese, predators, prey, re-cycled products, rewilding, Rivers, runde river, rural school,, Save River, School, Schoolchildren, Shangaana people, sketching, slow food, Social Customs, spoken tradition, storytelling, Textile art, tourism, tradition, traditional craft, traditional dance, traditional dyes, Traditional fabric, travel, Uncategorized, wilderness, wildlife, wildlife trade, Woman’s work, writing, Xangana, Xibelani fabric, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwean Art, Zimbabwean Artist, Zimbabwean history, Zimbabwean tourism
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Tagged #history, adventure, africa, African art, african dance, animals, Anthropology, art, art assemblage, beading, boundless southern africa, Budula, Budula Festival, caged culture, Chief Gezani, Chief Mahenye, Chilo Gorge Safari Lodge, Clive Stockil, co-existence, collaboration, communities living with wildlife, conservation, cultural heritage, dance, dance festival, dancing skirt, dancing with elephants, donkey cart, drums, eco-tourism, Elephant, environment, face painting, GLTFCA, greater limpopo transfrontier conservation area, homestay, installation art, kaolin, Lin Barrie Art, magulegule dance, Mahlanga Trust, millet, Mozambique, Muchongolo dance, news, painting, peace parks, salampore, snail shells, sorghum, south africa, transboundary, transfrontier parks, travel, wildlife, xibelani, zimbabwe, zimbabwe creatives
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Dancing with Elephants; Culture and Community, Elephants and Dance inspire my art practice….
Tsonga/Xangana (Changana) Culture; Dance, Mucino. The Xangana/Tsonga people of the south-eastern lowveld of Zimbabwe, and into adjoining South Africa and Mozambique, are the proud owners of strong social traditions, and a unique and vibrant culture. The Budula Festival 2025, will … Continue reading →
Posted in abstract art, abstract female expressionist, adventure travel, Africa, africa, Africa Parks, African child, African Safari, african wildlife, Anthropology, arid areas, art, art collaboration, Art collectors, art exhibition, Art exhibition zimbabwe, art festival, art film, art gallery, art interview, art on clothes, art video, artprints, Assemblage art, Beaded art, beading, beads, bio diversity, biodiversity, Body Art, body artist, Body Painting, Campfire, cattle, cbnrm, ceramic art, Changana people, childrens art, Chilo Gorge Safari Lodge, chilojo cliffs, citizen science, clay, clive stockil, community, community conservation, community wildlife challenge, community wildlife challenges, community wildlife conflict, conflict, conservation, conservation education, conservation news, conservation publication, craft, crafts, Craftwork, cultural beliefs, Cultural festival, culture, Cycle of Life, draped canvas, drawing, drums, earth, earth pigment, eco-tourism, ecosystem, elephants, endangered species, environment, Fabric, fabric design, family, fashion, fashion design, FashionArt, film, Gaza, gonarezhou, Gonarezhou Conservation Trust, gonarezhou national park, great limpopo transfrontier conservation Area, Hairstyle, hlungwani peiople, Hunter gatherers, landscape, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lions, Machangana culture, make up art, media, music, Music festival, musical instruments, national parks, Natural History, Nguni cattle, Ochre, oral history, painting, paintings, palms, peace parks, photography, Plant dyes, Poaching, poetry, poetry anthology, predators, printmaking, re-cycled art, re-cycled products, recycled art, responsible tourism, safari, SAVE, Save River, Save Valley Conservancy, Schoolchildren, Senuko, Shangaana people, sketch for survival, sketching, Social Customs, spoken tradition, storytelling, Textile art, traditional cattle herders, traditional craft, traditional dance, traditional dyes, Traditional fabric, travel, Tsonga, Uncategorized, Video art, virtual art exhibition, wilderness, wildlife, wildlife trade, Woman’s work, writing, Xangana, Xibelani fabric, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe Parks, Zimbabwean Art, Zimbabwean Artist, Zimbabwean tourism
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Tagged africa, animals, art, beadwork, boli, Budula Festival, Chilo Gorge Safari Lodge, dance, dance festival, dancing with elephants, dhow, drums, eco-tourism, elephants, GCT, gonarezhou, Gonarezhou Conservation Trust, kudu horm, Lin Barrie Art, Mahlanga Trust, music, painting on canvas, salampore, wildlife, zimbabwe
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Chauke ChaHumba; of Fire, Giant Snail Shells and Totems..
The Chauke Cha Humba story: In Mahenye Village, our Chauke clan reveres the giant land Snail (Humba) , and Fire… Snail/Fire artworks at the National Arts Council of Zimbabwe National Cultural Month Launch at Rusununguko Clinic, Zimbabwe, 17th May 2025….. … Continue reading →
Posted in #history, abstract art, Abstract female exoressionist art, abstract female expressionist, adventure travel, Africa, africa, African child, african wildlife, art, art collaboration, Art collectors, art exhibition, Art exhibition zimbabwe, art festival, art film, art video, artprints, Assemblage art, Beaded art, beading, beads, bio diversity, Body Art, Body art,, body artist, Body Painting, Changana people, citizen science, clay, clay pots, climate change, clive stockil, community, community conservation, conservation, crafts, cultural beliefs, Cultural festival, culture, dance, drawing, ecosystem, environment, film, fire, Fire regimes, Gaza, gonarezhou, great limpopo transfrontier conservation Area, Handmade art, hlungwani peiople, Johnson Zuze, landscapes, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, lowveld, Machangana culture, media, Miniature paintings, molluscs, movies, myth, National Gallery of Zimbabwe, Natural History, oral history, paintings, peace parks, photography, pottery, re-cycled art, re-cycled products, recycled art, sculpture, Shangaana people, Social Customs, soft sculpture, storytelling, street art, tradition, Xibelani fabric, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwe National Parks, Zimbabwe Parks, Zimbabwean Art, Zimbabwean Artist, Zimbabwean history
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Tagged africa, animals, art, art installation, art print, Assemblage art, birdcage, Body Art, burnt offerings, caged culture, Clive Stockil, conservation, culture, environment, film, Fire, found object, gonarezhou, jewels, Johnson Zuze, Kelli Barker, Lin Barrie Art, nature, painting, recycled, salvaged object, shells, snails, Totem, wire art, zimbabwe
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Vote Goat at Investec 2025; The Artists’ General Election, (what if artists ran the world?)
What if artists ran the world?! Given the current topsy turvy world politics, a world of hotly debated elections, would-be elections, wars (verbal and actual), and tussles for power sweeping Africa, America, Europe and the middle east, what an apt … Continue reading →
Posted in #history, abstract art, abstract female expressionist, Africa, africa, African child, American Politics, art, art collaboration, Art collectors, art exhibition, Art exhibition zimbabwe, art fair, art festival, Art for impact, art gallery, art interview, art on clothes, Art pigment, art residence, artist election, bush kitchen, capital art, City Life, community, conflict, conservation, conservation education, cultural beliefs, culture, drawing, earth, ecosystem, education, Election, Elon Musk, endangered species, environment, Fabric, gallery delta, Gaza, Geneva Convention, geography, GOAT, Graffitti, greek statue, Human Rights, illegal wildlife trade, Immigrants, International Humanitarian Law, investec art fair, Israel, land redistribution, landscape, landscapes, Life Drawing, Lin Barrie Art, Lin Barrie publication, Machangana culture, Mining,, movies, murals, music, musical instruments, National Gallery of Zimbabwe, ocean life, oral history, paintings, Palestine, peace parks, poetry, Politicians, printmaking, re-cycled art, religion, Russia, sculpture, sketching, Social Customs, street art, Textile art, Trump, Ukraine, village unhu, virtual art exhibition, Voters Role, wall art, war, war zone, weaving, Winged Victory of Samothrace, wood sculpture, writing, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwean Art, Zimbabwean Artist, zimbabwean authors, Zimbabwean books, Zimbabwean history
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Tagged absolute power, africa, African art, african artist, America, animal far, animal farm, animal farm book, art, art activism, Art for impact, ArtHARARE, artists election, Asia, Ballot paper, Bella, Blessing Ngobeni, book, books, Canada, capital art, Carol-Anne Gainer, CCC, classic book, Collin Sekajugo, conservation, DA, democraticvote, despot, dictator, donald Trump, DRC, eco-tourism, ecosytems, Election, election poster, Elon Musk, Europe, farm animals, Gaza, Geneva Convention, george Orwell, GOAT, goat with heart, goats, Goddess of Victory, gold, Gordon Massie, goya, greatest of all time, Greek Goddess, Guernica, Hondo, Human Rights, humanity, investec art fair, Israel, Kelli Barker, Latin America, Lin Barrie Art, mining interests, moffat Takadiwa, Morenike Ajayi, Nandipha Mntambo, nature, Nelson Makamo, news, oil, Palestine, photography, picasso, pigs, pin up, pin up girl, politicalreprisal, politician, politics, popart, Richard Mudariki, rigged election, riggedelection, Russia, Samothrace, Samurai Farai, Sita Mgoboza, South America, spanish civil war, switzerland in zimbabwe, technology, Third of May, Treasure Mlima, Trump, Ukraine, village unhu, vote goat, voters roll, voting booth, war, what if artists ran the world, white heart, ZANU, zimbabwe, Zimbabwean Art
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The Last Resort Reinvented; A repurposed Art Space and Dialogues on Humanity in Zimbabwe…..
Many years ago, Drifters Lodge near Mutare was built by Lyn and Ros Rogers. Nestled between four small green-clad mountains, it catered to drifters and backpackers, art and bridge clubs, friends, itinerants and more… Challenges and tragedies, triumphs and disasters, … Continue reading →
Posted in #history, abstract art, abstract female expressionist, Africa, africa, African child, African flora, african trees, AI, Anthropology, art, art collaboration, Art collectors, art exhibition, Art exhibition zimbabwe, Art for impact, art gallery, art interview, art residence, artprints, bio diversity, birding, book, books, buildings, bush kitchen, Chef, climate change, conflict, conservation education, cooking, culture, Digital data, dreams, ecosystem, environment, film, Flora of Zimbabwe, flowers, FNB art fair, food, food culture, Friendship, gardens and flowers, Geneva Convention, giant African snail, Harare, homegrown, Human Rights, International Humanitarian Law, landscape, lifestyle, Lin Barrie Art, Lin Barrie publication, make up artist, Mutare, painting, paintings, photography, recycled art, silk painting, sketching, soft sculpture, storytelling, Textile art, trees, Uncategorized, village unhu, war, war zone, zimbabwe, Zimbabwe Artist, Zimbabwean Art, Zimbabwean Artist, zimbabwean authors, Zimbabwean books, Zimbabwean history, Zimbabwean tourism
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Tagged admire Kamudzengerere, africa, AI, all things connected, art, art and humanity, art and peace, art exhibition, art for imoact, art residenc, book, books, bronwen evans, brothel;, building bridges, bush telegraph, capital art, Chef, chicken sandwiches, children, comedy, commedy, conflict, conservation, contemporary african art, Crossandra, culture, delicious monster, dialogue on humnaity, digital, dignity, douglas Rogers, drifters, drones, earrings, education, environment, EU, expressionist art, Fabric art, gardens, gas cooker, Geneva Convention, Georgina Maxim, Goodman gallery, Halfway House, hope, Human Rights, human spirit, humanities, indigenous african plant, International Humanitarian Law, kaftan, Kudzanai Chiurai, Lin Barrie Art, marijuana, Misheck Masamvu, msasa trees, Mutare, national gallery, no electrcity, petina gappah, photographer, photography, politics, posters, red cross, road trip, shot by Tatenda, silk painting, stitched art, swiss embassy, switzerland in zimbabwe, tradition, tragedy, travel, village unhu, Wallen Mapondera, warfare, whatsapp, wine, zimbabwe, zimbabwe creatives, Zimbabwean Art, zimbabwean author, zimbabwean lawyer
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The World in Miniature; The Power of Small Works….(or “Why is Small Art so Big right now?!”)
Small is smart!…. my life size yet tiny tiny snail shell paintings…. Lin Barrie, Giant Land Snail Shell, 1,2 and 3, (triptych), 2023, acrylic, charcoal and earth pigment on stretched canvas, each is 20 x 20 cm, I believe that the … Continue reading →
Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, adventure travel, Africa, africa, African child, african wildlife, Anthropology, art, art collaboration, Art collectors, art exhibition, Art exhibition zimbabwe, Art for impact, art gallery, Art pigment, bio diversity, Changana people, citizen science, clive stockil, Colour of the YearYear, community wildlife challenges, conservation, cooking, cultural beliefs, Cultural festival, culture, drawing, earth, earth pigment, ecosystem, environment, fire, food culture, gonarezhou, Gonarezhou Conservation Trust, great limpopo transfrontier conservation Area, Harare, home grown food, Hunter gatherers, landscape, landscapes, Life Drawing, lifestyle, lin barrie, Lin Barrie Art, Lin Barrie publication, Miniature paintings, molluscs, myth, national gallery, National Gallery of Zimbabwe, Natural History, Ochre art, painting, paintings, Shangaana people, sketching, Social Customs, spoken tradition, storytelling, Totem, Uncategorized, wilderness, wildlife, wildlife trade, Xangana, zimbabwe, Zimbabwe Artist, Zimbabwe artists, Zimbabwe National Art Gallery, Zimbabwean Art, Zimbabwean Artist, Zimbabwean history
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Tagged africa, animals, art, artnet, Clive Stockil, color of the year, conservation, cooking, dulux paints, earth, eco-tourism, environment, Fire, Giant Land Snail, interiors, Kate brown, Kelli Barker, land, landscape, Lin Barrie Art, miniatures, national gallery, National Gallery Zimbabwe, nature, Nia middleton, painting, to see the world, Totem, water, wildlife, William, zimbabwe
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Opening the Art Portal in Zimbabwe; Mbare Art Space empowering young creatives…
After a day of working together at my studio on our collaborative submission for Cheuka Art Fair 2025, Johnson Zuze, Kelli Barker and I are satisfied with progress … Johnny’s wire work and my sketches in progress… Johnson’s Blue Man … Continue reading →
Posted in abstract art, Abstract female exoressionist art, abstract female expressionist, Africa, africa, African child, art, art collaboration, art exhibition, Art exhibition zimbabwe, art fair, art festival, art gallery, art on clothes, Art pigment, artprints, Assemblage art, community, crafts, cultural beliefs, draped canvas, drawing, Fabric, Harare, interior decor, landscape, Life Drawing, Lin Barrie Art, make up artist, moffat Takadiwa, painting, re-cycled art, re-cycled products, sculpture, sketching, soft sculpture, spoken tradition, storytelling, street art, Textile art, Uncategorized, wall art, weaving, Winged Victory, wings, Zimbabwe artists, Zimbabwean Art, Zimbabwean Artist
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Tagged africa, art, art intern, art residency, artist studio, biennale_de_dakar_officiel., Cheuka Art Fair, found objects art, gillian rosselli, harare art, Johnson Zuze, kelli barker makeup, Kombo Chapfika, Lin Barrie Art, mbare, Mbare art space, moffat Takadiwa, news, painting, portal, Sekai Machache, star bar, Troy Makaza, venice, Venice biennale, Victor Nyakauru, William Joseph Kachinjika, wire art, zimbabwe
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